The Poetry of Derek MahonOUP Oxford, 21. okt. 2010 - 416 sider Derek Mahon is one of the leading poets of his time, both in Ireland and beyond, famously offering a perspective that is displaced from as much as grounded in his native country. From prodigious beginnings to prolific maturity, he has been, through thick and thin, through troubled times and other, a writer profoundly committed to the art of poetry and the craft of making verse. He has also been no-less a committed reviser of his work, believing the poem to be more than a record in verse, but a work of art never finished. This virtuoso study by Hugh Haughton provides the most comprehensive account imaginable of Mahon's oeuvre. Haughton's brilliant writing always serves and illuminates the poetry, yielding extraordinary insights on almost every page. The poetry, its revisions and reception, are the subject here, but so thorough is the approach that what is offered also amounts indirectly to an intellectual biography of the poet and with it an account of Northern Irish poetry vital to our understanding of the times. |
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Side vii
... Mahon's Greenwich Village; and to John Minihan for the cover and other photos. I owe a particular debt of gratitude to Tom Chandler for expert copy-editing, Andrew Hawkey for eagle-eyed proof-reading, and to Michael Kinsella and Nicole ...
... Mahon's Greenwich Village; and to John Minihan for the cover and other photos. I owe a particular debt of gratitude to Tom Chandler for expert copy-editing, Andrew Hawkey for eagle-eyed proof-reading, and to Michael Kinsella and Nicole ...
Side 1
... Mahon wishes a photographer friend, 'good light or a light in a mist |safe from the critic and the invasive tourist'.1 Despite the poet's scepticism, my hope is that criticism can throw a 'good light' on his work, if only 'light in a ...
... Mahon wishes a photographer friend, 'good light or a light in a mist |safe from the critic and the invasive tourist'.1 Despite the poet's scepticism, my hope is that criticism can throw a 'good light' on his work, if only 'light in a ...
Side 2
... Mahon's work is an important part of that stream, and can be said to have helped redirect it towards a closer encounter with modernity. It also, however, takes its bearings from a much larger sense of historical crisis embodied ...
... Mahon's work is an important part of that stream, and can be said to have helped redirect it towards a closer encounter with modernity. It also, however, takes its bearings from a much larger sense of historical crisis embodied ...
Innhold
1 | |
21 | |
Lives | 56 |
The Snow Party | 90 |
The Sea in Winter | 125 |
The Hunt by Night and Antarctica | 153 |
The Hudson Letter | 219 |
8 The Yellow Book and the Fin de Siècle | 265 |
Harbour Lights | 316 |
Select Bibliography | 373 |
Inventory of Poems | 383 |
Index | 391 |
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aesthetic American artist begins Belfast called close Collected Poems contemporary crisis cultural dark death Derek Mahon describes draws dream Dublin earlier early English exile Faber figure final followed gives Head Heaney heart historical human idea imagines Ireland Irish ironic John kind later Letter light lines literary live London Longley looks lost lyric Mahon memory moves nature never night North Northern Northern Ireland noted offers once opening original Ovid painting past play poem poem’s poet poet’s poetic poetry political present Press Protestant published quotes recalls records reference reflects represented Review rhyme says sense sequence silence Snow speaks stanza star suggests takes things thought tion translation turns Ulster University verse vision voice writing written wrote Yeats Yellow York