The Poetry of Derek MahonDerek Mahon is one of the leading poets of his time, both in Ireland and beyond, famously offering a perspective that is displaced from as much as grounded in his native country. From prodigious beginnings to prolific maturity, he has been, through thick and thin, through troubled times and other, a writer profoundly committed to the art of poetry and the craft of making verse. He has also been no-less a committed reviser of his work, believing the poem to be more than a record in verse, but a work of art never finished. This virtuoso study by Hugh Haughton provides the most comprehensive account imaginable of Mahon's oeuvre. Haughton's brilliant writing always serves and illuminates the poetry, yielding extraordinary insights on almost every page. The poetry, its revisions and reception, are the subject here, but so thorough is the approach that what is offered also amounts indirectly to an intellectual biography of the poet and with it an account of Northern Irish poetry vital to our understanding of the times. |
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Side 8
The poem transforms the neat Protestant working-class Belfast of his childhood, offering 'an oblique light on the trite', as he says at the opening, but also an eye for the numinous, the 'glittering' coal and 'ceiling cradled in a ...
The poem transforms the neat Protestant working-class Belfast of his childhood, offering 'an oblique light on the trite', as he says at the opening, but also an eye for the numinous, the 'glittering' coal and 'ceiling cradled in a ...
Side 10
11 He was the only child of parents in a 'working-class Protestant environment which had risen, as it were, into the lower middle class'.12 His male relatives all worked in the Harland & Wolff shipyard or in the merchant navy, ...
11 He was the only child of parents in a 'working-class Protestant environment which had risen, as it were, into the lower middle class'.12 His male relatives all worked in the Harland & Wolff shipyard or in the merchant navy, ...
Side 11
... he underlines the sectarian assumptions built into that geography, with a Church of Ireland choir calling for Divine Attention to those in peril on the sea, the 'tribal' Protestant ignorance of Catholics and fear of 'Shore Roaders'.
... he underlines the sectarian assumptions built into that geography, with a Church of Ireland choir calling for Divine Attention to those in peril on the sea, the 'tribal' Protestant ignorance of Catholics and fear of 'Shore Roaders'.
Side 12
3 In The Hudson Letter Mahon described himself as a 'recovering Ulster Protestant ... from Co Down' (CP 218), and to some extent his later intellectual life can be seen as an attempt to recover from—and resist—his early experience of ...
3 In The Hudson Letter Mahon described himself as a 'recovering Ulster Protestant ... from Co Down' (CP 218), and to some extent his later intellectual life can be seen as an attempt to recover from—and resist—his early experience of ...
Side 13
He associated it with the 'tough scepticism and disenchanted liberalism' of 'educated and moderate Protestants who ... which was not in those days taught in Northern Irish Protestant schools'.27 In line with that 'English education in ...
He associated it with the 'tough scepticism and disenchanted liberalism' of 'educated and moderate Protestants who ... which was not in those days taught in Northern Irish Protestant schools'.27 In line with that 'English education in ...
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Innhold
1 | |
21 | |
Lives | 56 |
The Snow Party | 90 |
The Sea in Winter | 125 |
The Hunt by Night and Antarctica | 153 |
The Hudson Letter | 219 |
8 The Yellow Book and the Fin de Siècle | 265 |
Harbour Lights | 316 |
Select Bibliography | 373 |
Inventory of Poems | 383 |
Index | 391 |
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Vanlige uttrykk og setninger
aesthetic American artist begins Belfast called close Collected Poems contemporary crisis cultural dark death Derek Mahon describes draws dream Dublin earlier early English exile Faber figure final followed gives Head Heaney heart historical human idea imagines Ireland Irish ironic John kind later Letter light lines literary live London Longley looks lost lyric Mahon memory moves nature never night North Northern Northern Ireland noted offers once opening original Ovid painting past play poem poem’s poet poet’s poetic poetry political present Press Protestant published quotes recalls records reference reflects represented Review rhyme says sense sequence silence Snow speaks stanza star suggests takes things thought tion translation turns Ulster University verse vision voice writing written wrote Yeats Yellow York