The Poetry of Derek MahonDerek Mahon is one of the leading poets of his time, both in Ireland and beyond, famously offering a perspective that is displaced from as much as grounded in his native country. From prodigious beginnings to prolific maturity, he has been, through thick and thin, through troubled times and other, a writer profoundly committed to the art of poetry and the craft of making verse. He has also been no-less a committed reviser of his work, believing the poem to be more than a record in verse, but a work of art never finished. This virtuoso study by Hugh Haughton provides the most comprehensive account imaginable of Mahon's oeuvre. Haughton's brilliant writing always serves and illuminates the poetry, yielding extraordinary insights on almost every page. The poetry, its revisions and reception, are the subject here, but so thorough is the approach that what is offered also amounts indirectly to an intellectual biography of the poet and with it an account of Northern Irish poetry vital to our understanding of the times. |
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Side vi
Like other readers of Mahon, I am indebted to the Irish University Review Special Issue on Derek Mahon ed. Brian Donnelly, for its pioneering bibliography and essays, to Elmer Kennedy-Andrews, The Poetry of Derek Mahon (2002), ...
Like other readers of Mahon, I am indebted to the Irish University Review Special Issue on Derek Mahon ed. Brian Donnelly, for its pioneering bibliography and essays, to Elmer Kennedy-Andrews, The Poetry of Derek Mahon (2002), ...
Side 2
Over the years his critical essays and reviews, sampled in Journalism (1996), show him to be a well-travelled, eclectic writer, and an internationally as well as nationally minded reader, who is fascinated by European, British, ...
Over the years his critical essays and reviews, sampled in Journalism (1996), show him to be a well-travelled, eclectic writer, and an internationally as well as nationally minded reader, who is fascinated by European, British, ...
Side 10
The house had a privet hedge, like those in 'Glengormley', and there was a coal-shed in the back garden where he kept his bike. His Paris Review interview gives a closer view of the world of 'Courtyards' ...
The house had a privet hedge, like those in 'Glengormley', and there was a coal-shed in the back garden where he kept his bike. His Paris Review interview gives a closer view of the world of 'Courtyards' ...
Side 19
For a critique of his revisions, see Edna Longley, 'Where a Thought Might Grow', Poetry Review,81.2 (Summer 1991); for a protest against his development, 8. see John Redmond, 'Perish the Thought', London Review ...
For a critique of his revisions, see Edna Longley, 'Where a Thought Might Grow', Poetry Review,81.2 (Summer 1991); for a protest against his development, 8. see John Redmond, 'Perish the Thought', London Review ...
Side 20
'Each Poem for me is a New Beginning', The Cork Review,2.3 (June 1981), 10; 'Derek Mahon', interview in James P. Myers (1999), 190. 28. Ibid. 191. 29. Paris Review (2000), 157. 30. 'The King and I,' script for Yeats Summer School, ...
'Each Poem for me is a New Beginning', The Cork Review,2.3 (June 1981), 10; 'Derek Mahon', interview in James P. Myers (1999), 190. 28. Ibid. 191. 29. Paris Review (2000), 157. 30. 'The King and I,' script for Yeats Summer School, ...
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Innhold
1 | |
21 | |
Lives | 56 |
The Snow Party | 90 |
The Sea in Winter | 125 |
The Hunt by Night and Antarctica | 153 |
The Hudson Letter | 219 |
8 The Yellow Book and the Fin de Siècle | 265 |
Harbour Lights | 316 |
Select Bibliography | 373 |
Inventory of Poems | 383 |
Index | 391 |
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