The Poetry of Derek MahonDerek Mahon is one of the leading poets of his time, both in Ireland and beyond, famously offering a perspective that is displaced from as much as grounded in his native country. From prodigious beginnings to prolific maturity, he has been, through thick and thin, through troubled times and other, a writer profoundly committed to the art of poetry and the craft of making verse. He has also been no-less a committed reviser of his work, believing the poem to be more than a record in verse, but a work of art never finished. This virtuoso study by Hugh Haughton provides the most comprehensive account imaginable of Mahon's oeuvre. Haughton's brilliant writing always serves and illuminates the poetry, yielding extraordinary insights on almost every page. The poetry, its revisions and reception, are the subject here, but so thorough is the approach that what is offered also amounts indirectly to an intellectual biography of the poet and with it an account of Northern Irish poetry vital to our understanding of the times. |
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Side 8
Mahon wrote that the 'suburbs of Belfast have a peculiar relationship to the Irish cultural situation inasmuch as they're the final anathema for the traditional Irish imagination'.10 No poet has a more developed sense of 'the cultural ...
Mahon wrote that the 'suburbs of Belfast have a peculiar relationship to the Irish cultural situation inasmuch as they're the final anathema for the traditional Irish imagination'.10 No poet has a more developed sense of 'the cultural ...
Side 16
... I making trophy of a final rhyme.' It's a formidable poem for a schoolboy, reflecting on the unresolved gap between the ordinary self (here got up as the 'homme moyen sensuel') and the self'stripped for authorship'.
... I making trophy of a final rhyme.' It's a formidable poem for a schoolboy, reflecting on the unresolved gap between the ordinary self (here got up as the 'homme moyen sensuel') and the self'stripped for authorship'.
Side 27
'Love Poem', with its 'bones love crowns with cockles' and final gesture towards a 'tumbling shoulder in the crook of love', shows he still liked writing Dylan Thomas poems.25 'The Fall of Icarus' sails too close for comfort to what it ...
'Love Poem', with its 'bones love crowns with cockles' and final gesture towards a 'tumbling shoulder in the crook of love', shows he still liked writing Dylan Thomas poems.25 'The Fall of Icarus' sails too close for comfort to what it ...
Side 35
The final imperative —'One part of my mind must learn to know its place' — suggests a more mutually challenging relationship between 'mind' and 'place'. 'Glengormley' is another attempt to know his place. First published as 'Suburban ...
The final imperative —'One part of my mind must learn to know its place' — suggests a more mutually challenging relationship between 'mind' and 'place'. 'Glengormley' is another attempt to know his place. First published as 'Suburban ...
Side 39
Many of MacNeice's phrases and images are implied in the play of its language, as in the poem's magnificent final stanza: The ironical, loving crush of roses against snow, Each fragile, solving ambiguity. So From the pneumonia of the ...
Many of MacNeice's phrases and images are implied in the play of its language, as in the poem's magnificent final stanza: The ironical, loving crush of roses against snow, Each fragile, solving ambiguity. So From the pneumonia of the ...
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Innhold
1 | |
21 | |
Lives | 56 |
The Snow Party | 90 |
The Sea in Winter | 125 |
The Hunt by Night and Antarctica | 153 |
The Hudson Letter | 219 |
8 The Yellow Book and the Fin de Siècle | 265 |
Harbour Lights | 316 |
Select Bibliography | 373 |
Inventory of Poems | 383 |
Index | 391 |
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Vanlige uttrykk og setninger
aesthetic American artist begins Belfast called close Collected Poems contemporary crisis cultural dark death Derek Mahon describes draws dream Dublin earlier early English exile Faber figure final followed gives Head Heaney heart historical human idea imagines Ireland Irish ironic John kind later Letter light lines literary live London Longley looks lost lyric Mahon memory moves nature never night North Northern Northern Ireland noted offers once opening original Ovid painting past play poem poem’s poet poet’s poetic poetry political present Press Protestant published quotes recalls records reference reflects represented Review rhyme says sense sequence silence Snow speaks stanza star suggests takes things thought tion translation turns Ulster University verse vision voice writing written wrote Yeats Yellow York