The Poetry of Derek MahonDerek Mahon is one of the leading poets of his time, both in Ireland and beyond, famously offering a perspective that is displaced from as much as grounded in his native country. From prodigious beginnings to prolific maturity, he has been, through thick and thin, through troubled times and other, a writer profoundly committed to the art of poetry and the craft of making verse. He has also been no-less a committed reviser of his work, believing the poem to be more than a record in verse, but a work of art never finished. This virtuoso study by Hugh Haughton provides the most comprehensive account imaginable of Mahon's oeuvre. Haughton's brilliant writing always serves and illuminates the poetry, yielding extraordinary insights on almost every page. The poetry, its revisions and reception, are the subject here, but so thorough is the approach that what is offered also amounts indirectly to an intellectual biography of the poet and with it an account of Northern Irish poetry vital to our understanding of the times. |
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Side 1
Though criticism can take the form of invasive tourism, I take heart from another appeal to light in his poetry. It occurs at the end of a poem haunted by earlier Irish writers, 'An Image from Beckett': 'This, I have left my will.
Though criticism can take the form of invasive tourism, I take heart from another appeal to light in his poetry. It occurs at the end of a poem haunted by earlier Irish writers, 'An Image from Beckett': 'This, I have left my will.
Side 10
He wrote later that 'Home is where the heart breaks' (CP 135), and the resistance of that strained only child is never far away. 'We lived in North Belfast which has a peculiarly isolated ethnic ambience', he said, 'cut off ... from all ...
He wrote later that 'Home is where the heart breaks' (CP 135), and the resistance of that strained only child is never far away. 'We lived in North Belfast which has a peculiarly isolated ethnic ambience', he said, 'cut off ... from all ...
Side 15
... placet of the heart', is distinctly precocious, while the cocoa returns in another reminiscence of Laforgue in The Yellow Book. 'This Neuter Moon' revels in equally sophisticated vocabulary ('aureole of snow', 'Wake of nereid'), ...
... placet of the heart', is distinctly precocious, while the cocoa returns in another reminiscence of Laforgue in The Yellow Book. 'This Neuter Moon' revels in equally sophisticated vocabulary ('aureole of snow', 'Wake of nereid'), ...
Side 17
Leaving home for Trinity College and Dublin was a watershed and a revelation, setting up the terms of a dialectic between that 'stricken home' and the world beyond that lies at the heart of the poet's oeuvre. 5 Mahon's 'Rage for Order' ...
Leaving home for Trinity College and Dublin was a watershed and a revelation, setting up the terms of a dialectic between that 'stricken home' and the world beyond that lies at the heart of the poet's oeuvre. 5 Mahon's 'Rage for Order' ...
Side 18
... he celebrates the erotic and creative impulse 'to find the right place, find it and live for ever'. This search for the 'right place' while 'still questioning' his own inspirations, goes to the heart of Mahon's poetic project, ...
... he celebrates the erotic and creative impulse 'to find the right place, find it and live for ever'. This search for the 'right place' while 'still questioning' his own inspirations, goes to the heart of Mahon's poetic project, ...
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Innhold
1 | |
21 | |
Lives | 56 |
The Snow Party | 90 |
The Sea in Winter | 125 |
The Hunt by Night and Antarctica | 153 |
The Hudson Letter | 219 |
8 The Yellow Book and the Fin de Siècle | 265 |
Harbour Lights | 316 |
Select Bibliography | 373 |
Inventory of Poems | 383 |
Index | 391 |
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