The Poetry of Derek MahonDerek Mahon is one of the leading poets of his time, both in Ireland and beyond, famously offering a perspective that is displaced from as much as grounded in his native country. From prodigious beginnings to prolific maturity, he has been, through thick and thin, through troubled times and other, a writer profoundly committed to the art of poetry and the craft of making verse. He has also been no-less a committed reviser of his work, believing the poem to be more than a record in verse, but a work of art never finished. This virtuoso study by Hugh Haughton provides the most comprehensive account imaginable of Mahon's oeuvre. Haughton's brilliant writing always serves and illuminates the poetry, yielding extraordinary insights on almost every page. The poetry, its revisions and reception, are the subject here, but so thorough is the approach that what is offered also amounts indirectly to an intellectual biography of the poet and with it an account of Northern Irish poetry vital to our understanding of the times. |
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Side v
The book is dedicated to my father Alan Haughton and to the memory of my mother Betty Haughton (b. Cork, 7 December 1919; d. Kinsale, 26 March 2007). Acknowledgements Acknowledgements are due to Metre, Cambridge Quarterly, and Textual.
The book is dedicated to my father Alan Haughton and to the memory of my mother Betty Haughton (b. Cork, 7 December 1919; d. Kinsale, 26 March 2007). Acknowledgements Acknowledgements are due to Metre, Cambridge Quarterly, and Textual.
Side 11
Elsewhere he recalls his father taking him 'to see the slipway where the Titanic was launched' and 'the image of dandelions growing from under the sliprails'. The fate of the Titanic haunted the poet, and he once dilated on his memory ...
Elsewhere he recalls his father taking him 'to see the slipway where the Titanic was launched' and 'the image of dandelions growing from under the sliprails'. The fate of the Titanic haunted the poet, and he once dilated on his memory ...
Side 19
Elgy Gillespie, 'The Saturday Profile: Derek Mahon', Irish Times, 2 December 18. 19. 1978. 'Translations: An Interview with Derek Mahon', Rhinoceros 3 (Belfast, 1990), 82. 'The Beauty of Belfast: A Cavehill Childhood Memory', ...
Elgy Gillespie, 'The Saturday Profile: Derek Mahon', Irish Times, 2 December 18. 19. 1978. 'Translations: An Interview with Derek Mahon', Rhinoceros 3 (Belfast, 1990), 82. 'The Beauty of Belfast: A Cavehill Childhood Memory', ...
Side 22
... of The Yellow Book to memories of Clarke in Dublin 'in the demure '60s' (CP 230). Both poets brought a new realism into Irish verse, and, according to Mahon, contributed 'to the secularisation and de-mystification of Irish poetry'.
... of The Yellow Book to memories of Clarke in Dublin 'in the demure '60s' (CP 230). Both poets brought a new realism into Irish verse, and, according to Mahon, contributed 'to the secularisation and de-mystification of Irish poetry'.
Side 26
... Parallel streets that say Although the earth is square Our histories never meet.24 There may be a memory of the mean streets under Cave Hill here, but more prominent are memories of Auden's syntax ('into whose eyes inquire'), ...
... Parallel streets that say Although the earth is square Our histories never meet.24 There may be a memory of the mean streets under Cave Hill here, but more prominent are memories of Auden's syntax ('into whose eyes inquire'), ...
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Innhold
1 | |
21 | |
Lives | 56 |
The Snow Party | 90 |
The Sea in Winter | 125 |
The Hunt by Night and Antarctica | 153 |
The Hudson Letter | 219 |
8 The Yellow Book and the Fin de Siècle | 265 |
Harbour Lights | 316 |
Select Bibliography | 373 |
Inventory of Poems | 383 |
Index | 391 |
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aesthetic American artist begins Belfast called close Collected Poems contemporary crisis cultural dark death Derek Mahon describes draws dream Dublin earlier early English exile Faber figure final followed gives Head Heaney heart historical human idea imagines Ireland Irish ironic John kind later Letter light lines literary live London Longley looks lost lyric Mahon memory moves nature never night North Northern Northern Ireland noted offers once opening original Ovid painting past play poem poem’s poet poet’s poetic poetry political present Press Protestant published quotes recalls records reference reflects represented Review rhyme says sense sequence silence Snow speaks stanza star suggests takes things thought tion translation turns Ulster University verse vision voice writing written wrote Yeats Yellow York