The Poetry of Derek MahonOUP Oxford, 21. okt. 2010 - 416 sider Derek Mahon is one of the leading poets of his time, both in Ireland and beyond, famously offering a perspective that is displaced from as much as grounded in his native country. From prodigious beginnings to prolific maturity, he has been, through thick and thin, through troubled times and other, a writer profoundly committed to the art of poetry and the craft of making verse. He has also been no-less a committed reviser of his work, believing the poem to be more than a record in verse, but a work of art never finished. This virtuoso study by Hugh Haughton provides the most comprehensive account imaginable of Mahon's oeuvre. Haughton's brilliant writing always serves and illuminates the poetry, yielding extraordinary insights on almost every page. The poetry, its revisions and reception, are the subject here, but so thorough is the approach that what is offered also amounts indirectly to an intellectual biography of the poet and with it an account of Northern Irish poetry vital to our understanding of the times. |
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Side 1
... poet much preoccupied by 'home' and travel, exile and return, place and displacement.3 'Harbour Lights' refers to the poet's 'long journey', and this book is one reader's attempt to retrace the poet's intellectual journey from his first ...
... poet much preoccupied by 'home' and travel, exile and return, place and displacement.3 'Harbour Lights' refers to the poet's 'long journey', and this book is one reader's attempt to retrace the poet's intellectual journey from his first ...
Side 3
... poet of place—but he is also, despite his fi re-king's desire to be 'through with history'—a poet with a strongly developed 'historical sense' of the kind Eliot saw as critical to a poet's survival. His texts are inherently intertextual ...
... poet of place—but he is also, despite his fi re-king's desire to be 'through with history'—a poet with a strongly developed 'historical sense' of the kind Eliot saw as critical to a poet's survival. His texts are inherently intertextual ...
Side 4
... poet and are most readily available. However, I frequently refer back to earlier alternative versions where they are germane to the story of his development, and am interested in the poet's ongoing dialogue with himself represented by ...
... poet and are most readily available. However, I frequently refer back to earlier alternative versions where they are germane to the story of his development, and am interested in the poet's ongoing dialogue with himself represented by ...
Side 5
... poet's life and work at a given time. For Mahon each publication is its own context, an opportunity for reexhibition ... poets like Coleridge. The 'long journey' from Mahon's first book to his most recent has not been without controversy ...
... poet's life and work at a given time. For Mahon each publication is its own context, an opportunity for reexhibition ... poets like Coleridge. The 'long journey' from Mahon's first book to his most recent has not been without controversy ...
Side 6
... poet's resurrection in a new guise, represented by the long experimental epistolary sequences The Hudson Letter (1995) and The Yellow Book (1997). Many—no- tably Peter McDonald and John Redmond—have seen these later mixedmode polyphonic ...
... poet's resurrection in a new guise, represented by the long experimental epistolary sequences The Hudson Letter (1995) and The Yellow Book (1997). Many—no- tably Peter McDonald and John Redmond—have seen these later mixedmode polyphonic ...
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1 | |
21 | |
Lives | 56 |
The Snow Party | 90 |
The Sea in Winter | 125 |
The Hunt by Night and Antarctica | 153 |
The Hudson Letter | 219 |
8 The Yellow Book and the Fin de Siècle | 265 |
Harbour Lights | 316 |
Select Bibliography | 373 |
Inventory of Poems | 383 |
Index | 391 |
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