Schenker Studies: Symposium : PapersCambridge University Press, 23. feb. 1990 - 206 sider The essays contained in this volume provide a focus on the work of the music theorist Heinrich Schenker - a figure of legendary status who has had an incalculable influence on developments in music theory and analysis in this century. His theories, not always fully understood, have aroused some controversy. The broad spectrum of essays presented here will help clarify Schenker's ideas and their application and will also serve as a useful introduction to his work for music theorists. The essays, written by fourteen leading theorists, originate in papers delivered at the Schenker Symposium held at The Mannes College of Music, New York in 1985. |
Innhold
modes of interaction | 4 |
his annotated | 15 |
Goethes influence on Schenkers thought | 29 |
Schenkerian theory and the analysis of Renaissance music | 45 |
their significance | 60 |
ANALYTICAL STUDIES | 73 |
form and voice leading | 84 |
Aspects of the Neapolitan sixth chord in Mozarts music | 94 |
Enharmonic transformation in the first movement of Mozarts | 107 |
a reappraisal | 125 |
Departures from the norm in two songs from Schumanns | 146 |
Eitheror | 165 |
SCHENKER STUDIES TODAY | 181 |
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Schenker Studies: Historical Studies: Introduction Hedi Siegel Ingen forhåndsvisning tilgjengelig - 1990 |
Vanlige uttrykk og setninger
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