Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sider |
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Side 15
... Addison's critical essays in The Spectator , and of Pope's Essay on Criticism — the English counterpart of Boileau's famous Art poétique ( 1674 ) , and the most brilliant formulariza- tion in this country of the orthodox view of poetry ...
... Addison's critical essays in The Spectator , and of Pope's Essay on Criticism — the English counterpart of Boileau's famous Art poétique ( 1674 ) , and the most brilliant formulariza- tion in this country of the orthodox view of poetry ...
Side 200
... Addison : from " The Spectator " p . 76. These two essays , in which there are clear echoes of ' Longi- nus , ' are significant early statements on the nature of genius . Addison sees genius as attaining moments of beauty and sub ...
... Addison : from " The Spectator " p . 76. These two essays , in which there are clear echoes of ' Longi- nus , ' are significant early statements on the nature of genius . Addison sees genius as attaining moments of beauty and sub ...
Side 213
... Addison : from " The Spectator " p . 150. The essayists Shaftesbury , in his Characteristics , Addison , in this essay and in The Tatler , No. 161 , and Pope , in The Guardian , No. 173 , did much to break the vogue of the formal garden ...
... Addison : from " The Spectator " p . 150. The essayists Shaftesbury , in his Characteristics , Addison , in this essay and in The Tatler , No. 161 , and Pope , in The Guardian , No. 173 , did much to break the vogue of the formal garden ...
Innhold
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1969 |
Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1952 |
Vanlige uttrykk og setninger
action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing