Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sider |
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Side 38
... beauty predominated . Although it would be incorrect to suggest that there was a well - defined school of thought on this subject , the chief British writers of this time -Shaftesbury , Hutcheson , and Berkeley - were agreed that beauty ...
... beauty predominated . Although it would be incorrect to suggest that there was a well - defined school of thought on this subject , the chief British writers of this time -Shaftesbury , Hutcheson , and Berkeley - were agreed that beauty ...
Side 164
... beauty be essential , the study and love of symmetry and order , on which beauty depends , must also be essential in the same respect . ' Tis impossible we can advance the least in any relish or taste of outward symmetry and order ...
... beauty be essential , the study and love of symmetry and order , on which beauty depends , must also be essential in the same respect . ' Tis impossible we can advance the least in any relish or taste of outward symmetry and order ...
Side 170
... beauty , without any other prospect of advantage in the beautiful form , than the suggesting the pleasant ideas of beauty ? Now this shows us , that however we may pursue beautiful objects from self - love , with a view to obtain the ...
... beauty , without any other prospect of advantage in the beautiful form , than the suggesting the pleasant ideas of beauty ? Now this shows us , that however we may pursue beautiful objects from self - love , with a view to obtain the ...
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n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1969 |
Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1952 |
Vanlige uttrykk og setninger
action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing