Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sider |
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Side 78
... figure in the world , who have not something in their way of thinking or expressing themselves , that is peculiar to them , and entirely their own . ( No. 160. ) I have a great esteem for a true critic , such as Aristotle and Longinus ...
... figure in the world , who have not something in their way of thinking or expressing themselves , that is peculiar to them , and entirely their own . ( No. 160. ) I have a great esteem for a true critic , such as Aristotle and Longinus ...
Side 129
... figures , he makes out an abstract idea of their forms more perfect than any one original ; and what may seem a paradox , he learns to design naturally by drawing his figures unlike to any one object . This idea of the perfect state of ...
... figures , he makes out an abstract idea of their forms more perfect than any one original ; and what may seem a paradox , he learns to design naturally by drawing his figures unlike to any one object . This idea of the perfect state of ...
Side 171
... figures which excite in us the ideas of beauty , seem to be those in which there is uniformity amidst variety . There are many conceptions of objects which are agreeable upon other accounts , such as grandeur , novelty , sanctity , and ...
... figures which excite in us the ideas of beauty , seem to be those in which there is uniformity amidst variety . There are many conceptions of objects which are agreeable upon other accounts , such as grandeur , novelty , sanctity , and ...
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n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1969 |
Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1952 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing