Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sider |
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Side 139
... follow of course , that as the imagination is incapable of producing any- thing originally of itself , and can only ... follows , that in all cases , in our lightest amusements , as well as in our most serious actions and engagements of ...
... follow of course , that as the imagination is incapable of producing any- thing originally of itself , and can only ... follows , that in all cases , in our lightest amusements , as well as in our most serious actions and engagements of ...
Side 181
... follow , that the beauty and sublimity of such objects is to be ascribed not to the material qualities themselves , but to the qualities they signify ; and , of consequence , that the qualities of matter are not to be considered as ...
... follow , that the beauty and sublimity of such objects is to be ascribed not to the material qualities themselves , but to the qualities they signify ; and , of consequence , that the qualities of matter are not to be considered as ...
Side 203
... follow her and transforms them into fishes ( cantos iv , x ) . The description of her palace and garden ( cantos xv - xvi ) provided suggestions for Spenser's ' bower of Acrasia ' in Book II of the Faerie Queene . Meo sum Pauper ... " I ...
... follow her and transforms them into fishes ( cantos iv , x ) . The description of her palace and garden ( cantos xv - xvi ) provided suggestions for Spenser's ' bower of Acrasia ' in Book II of the Faerie Queene . Meo sum Pauper ... " I ...
Innhold
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1969 |
Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1952 |
Vanlige uttrykk og setninger
action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing