Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sider |
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Side 181
... human art or design , are directly significant to us of the wisdom , the invention , the taste , or the benevolence of the artist ; and the works of Nature , of the power , the wisdom , and the beneficence of the Divine artist . II . As ...
... human art or design , are directly significant to us of the wisdom , the invention , the taste , or the benevolence of the artist ; and the works of Nature , of the power , the wisdom , and the beneficence of the Divine artist . II . As ...
Side 182
... human mind , are directly signified to us by the various appearances of the countenance and form . These may be called the direct expressions of mind ; and the material qualities which signify such powers or affections , produce in us ...
... human mind , are directly signified to us by the various appearances of the countenance and form . These may be called the direct expressions of mind ; and the material qualities which signify such powers or affections , produce in us ...
Side 225
... human life in all its aspects , social , intellectual , and spiritual . It was in this sense that Johnson spoke of Shakespeare as " holding the mirror up to nature . " For the neo - classical critics , whose view of the universe was ...
... human life in all its aspects , social , intellectual , and spiritual . It was in this sense that Johnson spoke of Shakespeare as " holding the mirror up to nature . " For the neo - classical critics , whose view of the universe was ...
Innhold
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1969 |
Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1952 |
Vanlige uttrykk og setninger
action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing