Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sider |
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Side 27
... influence of Milton's poetic doctrine became naturally associated with that of the critical doctrine of ' Longinus ... influential minds in the early part of the age . Shaftesbury's passionate interest in nature and its primitive , 28 ...
... influence of Milton's poetic doctrine became naturally associated with that of the critical doctrine of ' Longinus ... influential minds in the early part of the age . Shaftesbury's passionate interest in nature and its primitive , 28 ...
Side 32
... influences . In the middle of the century the treatment of interior design and ornament was much affected by the style of decoration known as ' Rococo , ' which was introduced from France at this time , and was characterized by the ...
... influences . In the middle of the century the treatment of interior design and ornament was much affected by the style of decoration known as ' Rococo , ' which was introduced from France at this time , and was characterized by the ...
Side 69
... influence over the passions should be but light ; yet it is quite otherwise ; for we find by experience , that eloquence and poetry are as capable , nay indeed much more capable , of making deep and lively impres- sions than any other ...
... influence over the passions should be but light ; yet it is quite otherwise ; for we find by experience , that eloquence and poetry are as capable , nay indeed much more capable , of making deep and lively impres- sions than any other ...
Innhold
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1969 |
Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1952 |
Vanlige uttrykk og setninger
action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing