Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sider |
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Side 38
... objects , but ' in the eye of the beholder . ' An object or action is recognized as beautiful when it makes a particular kind of appeal to the mind of man , and beauty is the soul - satisfying harmony set up between man's innate sense ...
... objects , but ' in the eye of the beholder . ' An object or action is recognized as beautiful when it makes a particular kind of appeal to the mind of man , and beauty is the soul - satisfying harmony set up between man's innate sense ...
Side 170
... objects would not be thus advantageous , nor excite in us this pleasure which constitutes them advantageous . Our sense of beauty from objects , by which they are constituted good to us , is very distinct from our desire of them when ...
... objects would not be thus advantageous , nor excite in us this pleasure which constitutes them advantageous . Our sense of beauty from objects , by which they are constituted good to us , is very distinct from our desire of them when ...
Side 186
... objects of sight , and that indeed in so confined a manner as to be supposed merely to have a reference to the art from which it is named . I am well convinced , however , that the name and reference only are limited and uncertain , and ...
... objects of sight , and that indeed in so confined a manner as to be supposed merely to have a reference to the art from which it is named . I am well convinced , however , that the name and reference only are limited and uncertain , and ...
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n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1969 |
Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1952 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing