Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sider |
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Side 119
... pains which every object excites in one man , it must raise in all mankind , whilst it operates naturally , simply ... pain , as it is the region of our fears and our hopes , and of all our passions that are connected with them ; and ...
... pains which every object excites in one man , it must raise in all mankind , whilst it operates naturally , simply ... pain , as it is the region of our fears and our hopes , and of all our passions that are connected with them ; and ...
Side 173
... pain , beauty or deformity , could ever have made them grow pleasing or displeasing . The effect of education is this , that thereby we receive many speculative opinions , which are sometimes true and sometimes false ; and are often led ...
... pain , beauty or deformity , could ever have made them grow pleasing or displeasing . The effect of education is this , that thereby we receive many speculative opinions , which are sometimes true and sometimes false ; and are often led ...
Side 177
... pain is always inflicted by a power in some way superior , because we never submit to pain willingly . So that strength , violence , pain and terror , are ideas that rush in upon the mind together . Look at a man , or any other animal ...
... pain is always inflicted by a power in some way superior , because we never submit to pain willingly . So that strength , violence , pain and terror , are ideas that rush in upon the mind together . Look at a man , or any other animal ...
Innhold
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1969 |
Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1952 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing