Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sider |
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Side 33
... perception and the taking of beneficent action . It lies in the fact of perception itself . We can see this more clearly if we imagine John's and Joan's perceptions to be fairly typical of each of them . John , let us say , often fails ...
... perception and the taking of beneficent action . It lies in the fact of perception itself . We can see this more clearly if we imagine John's and Joan's perceptions to be fairly typical of each of them . John , let us say , often fails ...
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... perception. Given the nature of its interaction with value, perception of absence constitutes a new form of evaluative perception. As mentioned earlier, evaluative perception encompasses diverse phenomena, which we may sort roughly into ...
... perception. Given the nature of its interaction with value, perception of absence constitutes a new form of evaluative perception. As mentioned earlier, evaluative perception encompasses diverse phenomena, which we may sort roughly into ...
Side 302
... PERCEPTION During World War II Gibson addressed himself to the problem of how to train pilots quickly , or how to discriminate potentially successful from unsuccessful pilots prior to training ... PERCEPTION J J Gibson's theory of perception.
... PERCEPTION During World War II Gibson addressed himself to the problem of how to train pilots quickly , or how to discriminate potentially successful from unsuccessful pilots prior to training ... PERCEPTION J J Gibson's theory of perception.
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n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1969 |
Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1952 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing