Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sider |
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Side 82
... perhaps excelled all but Homer in securing the first purpose of a writer , by exciting restless and unquenchable curiosity , and compelling him that reads his work to read it through . The shows and bustle with which his plays abound ...
... perhaps excelled all but Homer in securing the first purpose of a writer , by exciting restless and unquenchable curiosity , and compelling him that reads his work to read it through . The shows and bustle with which his plays abound ...
Side 112
... Perhaps there may not be room in the brain for such a variety of impres- sions , or the animal spirits may be incapable of figuring them in such a manner , as is necessary to excite so very large or very minute ideas . However it be ...
... Perhaps there may not be room in the brain for such a variety of impres- sions , or the animal spirits may be incapable of figuring them in such a manner , as is necessary to excite so very large or very minute ideas . However it be ...
Side 197
... perhaps he tended to become less liberal in outlook as he grew older ; but he had the positive merit of seeing the inadequacy of the Rules and of servile imitation of the Classics , and he realized the essential place which passion or ...
... perhaps he tended to become less liberal in outlook as he grew older ; but he had the positive merit of seeing the inadequacy of the Rules and of servile imitation of the Classics , and he realized the essential place which passion or ...
Innhold
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1969 |
Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1952 |
Vanlige uttrykk og setninger
action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing