Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sider |
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Side 118
... principles , on which the imagination is affected , so common to all , so grounded and certain , as to supply the means of reasoning satisfactorily about them . And such principles of taste I fancy there are ; however paradoxical they ...
... principles , on which the imagination is affected , so common to all , so grounded and certain , as to supply the means of reasoning satisfactorily about them . And such principles of taste I fancy there are ; however paradoxical they ...
Side 130
... principle . If it is not , it cannot be repeated . If by felicity is meant any thing of chance or hazard , or ... principles vary without end , and every man finds them out , not by felicity or successful hazard , but by care and ...
... principle . If it is not , it cannot be repeated . If by felicity is meant any thing of chance or hazard , or ... principles vary without end , and every man finds them out , not by felicity or successful hazard , but by care and ...
Side 133
... principles on which the work is wrought : these do not swim on the super- ficies , and consequently are not open to superficial observers . Art in its perfection is not ostentatious ; it lies hid , and works its effect , itself unseen ...
... principles on which the work is wrought : these do not swim on the super- ficies , and consequently are not open to superficial observers . Art in its perfection is not ostentatious ; it lies hid , and works its effect , itself unseen ...
Innhold
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1969 |
Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1952 |
Vanlige uttrykk og setninger
action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing