Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sider |
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Side 69
... represent them often do ; and thus they have an opportunity of making a deep impression and taking root in the mind , whilst the idea of the reality was transient ; and to some perhaps never really occurred in any shape , to whom it is ...
... represent them often do ; and thus they have an opportunity of making a deep impression and taking root in the mind , whilst the idea of the reality was transient ; and to some perhaps never really occurred in any shape , to whom it is ...
Side 70
... represent any fine figure we please ; but we never can give it those enlivening touches which it may receive from words . Το represent an angel in a picture , you can only draw a beautiful young man winged : but what painting can ...
... represent any fine figure we please ; but we never can give it those enlivening touches which it may receive from words . Το represent an angel in a picture , you can only draw a beautiful young man winged : but what painting can ...
Side 87
... represent an action that happened years after the first ; if it be so connected with it , that nothing but time can be supposed to intervene . Time is , of all modes of existence , most obsequious to the imagination ; a lapse of years ...
... represent an action that happened years after the first ; if it be so connected with it , that nothing but time can be supposed to intervene . Time is , of all modes of existence , most obsequious to the imagination ; a lapse of years ...
Innhold
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1969 |
Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1952 |
Vanlige uttrykk og setninger
action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing