Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sider |
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Side 29
... scenes of mountain storms , rocks , and torrents painted by Salvator Rosa made an even deeper impression on the mind of the period . Each of these landscape schools had its imitators in England , but their diverse characteristics were ...
... scenes of mountain storms , rocks , and torrents painted by Salvator Rosa made an even deeper impression on the mind of the period . Each of these landscape schools had its imitators in England , but their diverse characteristics were ...
Side 154
... scenes that would awe an atheist into belief , without the help of other argument . One need not have a very ... scene , which ought to be visited only in the dusk of the evening . It stands in a little quiet valley , which gradually ...
... scenes that would awe an atheist into belief , without the help of other argument . One need not have a very ... scene , which ought to be visited only in the dusk of the evening . It stands in a little quiet valley , which gradually ...
Side 161
... scenes he handled . The great principles on which he worked were perspective , and light and shade . Groups of trees ... scene more enchanting by reserving it to a farther advance of the spectator's steps . Thus , selecting favourite ...
... scenes he handled . The great principles on which he worked were perspective , and light and shade . Groups of trees ... scene more enchanting by reserving it to a farther advance of the spectator's steps . Thus , selecting favourite ...
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n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1969 |
Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1952 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing