Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sider |
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Side 87
... supposed to intervene . Time is , of all modes of existence , most obsequious to the imagination ; a lapse of years is as easily conceived as a passage of hours . In contem- plation we easily contract the time of real actions , and ...
... supposed to intervene . Time is , of all modes of existence , most obsequious to the imagination ; a lapse of years is as easily conceived as a passage of hours . In contem- plation we easily contract the time of real actions , and ...
Side 88
... supposed capable to give us shade , or the fountains coolness ; but we consider how we should be pleased with such fountains playing beside us , and such woods waving over us . We are agitated in reading the history of Henry the Fifth ...
... supposed capable to give us shade , or the fountains coolness ; but we consider how we should be pleased with such fountains playing beside us , and such woods waving over us . We are agitated in reading the history of Henry the Fifth ...
Side 133
... supposed to mean that Nature is to be neglected ; I take this study in aid , and not in exclusion , of the other . Nature is , and must be the fountain which alone is inexhaustible ; and from which all excellencies must originally flow ...
... supposed to mean that Nature is to be neglected ; I take this study in aid , and not in exclusion , of the other . Nature is , and must be the fountain which alone is inexhaustible ; and from which all excellencies must originally flow ...
Innhold
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1969 |
Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1952 |
Vanlige uttrykk og setninger
action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing