First We Take Manhattan: Four American Women and the New York School of Dance CriticismPsychology Press, 1996 - 180 sider Four American women: Marcia Siegel, Deborah Jowitt, Arlene Croce and Nancy Goldner are writers who became dance critics partly by design. By showing us extensive examples from their vivid writing about dance, Diana Theodores presents a detailed and illuminating analysis of their styles and ideas from 1965 to 1985, the Golden Age of Dance in New York. For the first time, she presents these four writers as a school of dance criticism, four women who defined American dance in a key era of its recent history. About the Author |
Innhold
Under the Influence | 11 |
Women at Work | 49 |
The Marcia B Siegel File | 91 |
The Arlene Croce File | 113 |
The Deborah Jowitt File | 131 |
The Nancy Goldner File | 145 |
The Fruits of their Labors | 161 |
Andre utgaver - Vis alle
First We Take Manhattan: Four American Women and the New York School of ... Diana Theodores Begrenset visning - 2013 |
First We Take Manhattan: Four American Women and the New York School of ... Diana Theodores Begrenset visning - 2013 |
First We Take Manhattan: Four American Women and the New York School of ... Diana Theodores Ingen forhåndsvisning tilgjengelig - 1996 |
Vanlige uttrykk og setninger
active aesthetic Afterimages Alfred American Ballet American dance Arlene Croce Ashton audiences Balanchine's ballets Ballet Review body choreographer's choreographers context created critical repertory cultural Curtis Books Dance Beat dance criticism Dance Go dance history Dance in Mind dance writing dancers Deborah Jowitt Denby's describes discussion Doris Humphrey Edwin Denby emotional essay experience expressive Farrell film formalist four critics Four Temperaments George Balanchine Houghton Mifflin Ibid impact Interview with Marcia Jill Johnston June kinesthetic Knopf language Lincoln Center literature look Marcia Siegel Martha Graham means Merce Cunningham modern dance moral movement Nancy Goldner Nation perceptions performance phrase piece poetic Primitive Mysteries response Roger Copeland Saturday Review Press says School of critics School of dance sense Shapes of Change Sight Lines steps Stravinsky structure style Swan Lake Taylor technique Twyla Tharp Vanishing Point Village Voice vocabulary Watching the Dance women York City Ballet York School
Referanser til denne boken
A Core Collection in Dance Association of College and Research Libraries. Dance Librarians Committee Ingen forhåndsvisning tilgjengelig - 2002 |