English Romantic PoetsHarold Bloom Chelsea House Publishers, 1986 - 408 sider A collection of critical essays on the work of the Romantic poets--Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats. |
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... critics is represented here by Sheila Emer- son , whose reading of Childe Harold III is a distinguished instance of an eclectic version of our contemporary " language " -oriented criticism of poetry . The section on Percy Bysshe Shelley ...
... critics is represented here by Sheila Emer- son , whose reading of Childe Harold III is a distinguished instance of an eclectic version of our contemporary " language " -oriented criticism of poetry . The section on Percy Bysshe Shelley ...
Side 22
... critics I had begun by rejecting were right after all : perhaps Blake was not opposed to abstraction but only to other people's abstractions , and was really interested merely in expounding some conceptual system or other in an oblique ...
... critics I had begun by rejecting were right after all : perhaps Blake was not opposed to abstraction but only to other people's abstractions , and was really interested merely in expounding some conceptual system or other in an oblique ...
Side 274
... critics , and then for a time became universal . It was a charm- ing paradox that formalist and rhetorical critics should have become so affectively disposed against a poet as to be incapable of reading any of his verbal figures with ...
... critics , and then for a time became universal . It was a charm- ing paradox that formalist and rhetorical critics should have become so affectively disposed against a poet as to be incapable of reading any of his verbal figures with ...
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The Keys to the Gates | 21 |
The Bard of Sensibility and the Form | 41 |
Blakes Critique | 55 |
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Adonais allegory becomes begins Blake Byron Cain called Christian Coleridge Coleridge's consciousness creation creative critics dark death Demogorgon dialectic divine dramatic dream Eichhorn Endymion Eolian epic eternal experience Ezekiel Fall of Hyperion feeling Fiction figure Four Zoas Freud Harold Harold Bloom heart Heaven human imagery imagination Jerusalem Jupiter Keats Keats's Kubla Kubla Khan language Lara light lines literary Luvah lyric M. H. Abrams means Merkabah metaphor metaphysical Milton mind mode moral mystery myth mythology nature Ode to Psyche Oriental original Paradise passage passion poem poem's poet poet's poetic poetry Prelude present Prometheus Unbound prophetic quest reader represented Romantic Romanticism Rousseau Satan scene seems sense sequence Shelley Shelley's song soul sound Spectre spirit stanza sublime symbol Tharmas things thou thought tradition Triumph tropes truth turn University Press Urizen Urthona vision visionary William Blake words Wordsworth writing