English Romantic PoetsHarold Bloom Chelsea House Publishers, 1986 - 408 sider A collection of critical essays on the work of the Romantic poets--Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats. |
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Side 252
... stanza 4 and to the uneasy questions which conclude stanza 96. That Byron wants to express his thoughts is nothing new , but his striking use of the verb " wreak " corresponds to the violent self - indulgence — the " fierce and far ...
... stanza 4 and to the uneasy questions which conclude stanza 96. That Byron wants to express his thoughts is nothing new , but his striking use of the verb " wreak " corresponds to the violent self - indulgence — the " fierce and far ...
Side 254
... stanza 93 , the Byron of the end of 97 is sobered rather than exhilarated by nature : his likeness to the world around him no longer seems to constitute a license for flights of the spirit but rather the grounds for self - control . As ...
... stanza 93 , the Byron of the end of 97 is sobered rather than exhilarated by nature : his likeness to the world around him no longer seems to constitute a license for flights of the spirit but rather the grounds for self - control . As ...
Side 255
... stanza 111 , the patterns of self - concealment and self- reflexiveness converge in a recital of what " we " have been " taught " : to steel The heart against itself ; and to conceal , With a proud caution , love , or hate , or aught ...
... stanza 111 , the patterns of self - concealment and self- reflexiveness converge in a recital of what " we " have been " taught " : to steel The heart against itself ; and to conceal , With a proud caution , love , or hate , or aught ...
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The Keys to the Gates | 21 |
The Bard of Sensibility and the Form | 41 |
Blakes Critique | 55 |
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Adonais allegory becomes begins Blake Byron Cain called Christian Coleridge Coleridge's consciousness creation creative critics dark death Demogorgon dialectic divine dramatic dream Eichhorn Endymion Eolian epic eternal experience Ezekiel Fall of Hyperion feeling Fiction figure Four Zoas Freud Harold Harold Bloom heart Heaven human imagery imagination Jerusalem Jupiter Keats Keats's Kubla Kubla Khan language Lara light lines literary Luvah lyric M. H. Abrams means Merkabah metaphor metaphysical Milton mind mode moral mystery myth mythology nature Ode to Psyche Oriental original Paradise passage passion poem poem's poet poet's poetic poetry Prelude present Prometheus Unbound prophetic quest reader represented Romantic Romanticism Rousseau Satan scene seems sense sequence Shelley Shelley's song soul sound Spectre spirit stanza sublime symbol Tharmas things thou thought tradition Triumph tropes truth turn University Press Urizen Urthona vision visionary William Blake words Wordsworth writing