 | Ralph Waldo Emerson - 1841 - 324 sider
...celebrations and festivities of form. But true art is never fixed, but always flowing. The sweetest music is not in the oratorio, but in the human voice when...the earth, but that persuading voice is in tune with these. All works of art should not be detached, but extempore performances. A great man is a new statue... | |
 | Ralph Waldo Emerson - 1848 - 354 sider
...celebrations and festivities of form. But true art is never fixed, but always flowing. The sweetest music is not in the oratorio, but in the human voice when...the earth, but that persuading voice is in tune with these. All works of art should not be detached, but extempore performances. A great man is a new statue... | |
 | Ralph Waldo Emerson - 1848 - 384 sider
...celebrations and festivities of form. But true art is never fixed, but always flowing. The sweetest music is not in the oratorio, but in the human voice when...the earth, but that persuading voice is in tune with these. All works of art should not be detached, but extempore performances. A great man is a new statue... | |
 | Ralph Waldo Emerson - 1848 - 400 sider
...celebrations and festivities of form. But true art is never fixed, but always flowing. The sweetest music is not in the oratorio, but in the human voice, when...the earth, but that persuading voice is in tune with these. All works of art should not be detached, but extempore performances. A great man is a new statue... | |
 | National Sunday school union - 1868 - 288 sider
...thoughts till our hearts grow warm. — Richard Baxter. 39. The Human Voice. — The sweetest music is not in the oratorio, but in the human voice when it speaks from its instant life-tones of tenderness, truth, or courage. The oratorio has lost its relation to the morning, to... | |
 | Ralph Waldo Emerson - 1849 - 270 sider
...celebrations and festivities of form. But true art is never fixed, but always flowing. The sweetest music is not in the oratorio, but in the human voice when...the earth, but that persuading voice is in tune with these. All works of art should not be detached, but extempore performances. A great man is a new statue... | |
 | Ralph Waldo [essays] Emerson - 1849 - 270 sider
...celebrations and festivities of form. But true art is never fixed, but always flowing. The sweetest music is not in the oratorio, but in the human voice when...the earth, but that persuading voice is in tune with these. All works of art should not be detached, but extempore performances. A great man is a new statue... | |
 | Ralph Waldo Emerson - 1850 - 354 sider
...celebrations and festivities of form. But true art is never fixed, but always flowing. The sweetest music is not in the oratorio, but in the human voice when...the earth, but that persuading voice is in tune with these. All works of art should not be detached, but extempore performances. A great man is a new statue... | |
 | Ralph Waldo Emerson - 1850 - 352 sider
...celebrations and festivities of form. But true art is never fixed, but always flowing. The sweetest music is not in the oratorio, but in the human voice when...the earth, but that persuading voice is in tune with these. All works of art should not be detached, but extempore performances. A great man is a new statue... | |
 | Kenelm Henry Digby - 1856 - 418 sider
...opera! "The sweetest music," says a great author, "is not in the oratorio, * Bailey Festus. f Trench. but in the human voice when it speaks from its instant life tones of tenderness, truth, or courage." What a wonderful relation is there physically and morally between such sounds and the soul! Not with... | |
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The sweetest music is not in the oratorio, but in the human voice when it speaks from its instant life, tones of tenderness, truth, or courage. 
