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The following poem was written, for the most part, amidst the scenes which it attempts to describe. It was begun in Albania ; and the parts relative to Spain and Portugal were composed from the author's observations in those countries. Thus much it may be necessary to state for the correctness of the descriptions. The scenes attempted to be sketched are in Spain, Portugal, Epirus, Acarnania, and Greece. There, for the present, the poem stops ; its reception will determine whether the author may venture to conduct his readers to the capital of the East, through Ionia and Phrygia : these two cantos are merely experimental.

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A fictitious character is introduced for the sake of

giving some connection to the piece ; which, however, makes no pretension to regularity. It has been suggested to me by friends, on whose opinions I set a high value, that in this fictitious character, “Childe

سردیولا را دارد با هدومهم هرفيهية

les vid ") 10 sumul tu suruaim of having intended Bunu san jur. tlus 1 tap leuve, once for al., II at we havien diw vid the abüd of imurination, for the podporat i deve aflated. Iu kome very trivial purticodamar, tudi thone toately dorul, there musht te gromis Land much u weten, but in the main points, I shouid

, , de munt supertuour tu beution that the apeliadan A Wild, *Chle Watera," * (L) de Culders," &A, I would

do skammtaut sritb the od strpcture sorte verstis dat is what I have adopted. The - Good Nished in this boyisy of the first canto, was sugyunlad boy" Maxw«l>Geod Night," in the Border

by Mr. Wand the dotteent jumpax which have been published o Spanish sw jest, there may be found some slight comdidence in the first mart, which treats of the Peninwulan, but it could wuly he casual; as, with the exception of in daw cluding whilzum, the whole of this poem Wident witten in the Lavant

The staza of Spenser, sucording to one of our most successful poeta, admits of every variety. Dr. Beattie Diakses the following observation :-“not long ago, I begin a poem in the style and stanza of Spenser, in which I propose to give full scope to my inclination,

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* The title will applied wo bath knights and squires.

and be either droll or pathetic, descriptive or sentimental, tender or satirical, as the humour strikes me ; for, if I mistake not, the measure which I have adopted admits equally of all these kinds of composition."* Strengthened in my opinion by such authority, and by the example of some in the highest order of Italian poets, I shall make no apology for attempts at similar variations in the following composition ; satisfied that if they are unsuccessful, their failure must be in the execution, rather than in the design sanctioned by the practice of Ariosto, Thomson, and Beattie.

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Beattie's Letters.

LONDON, February, 1812.

ADDITION TO THE PREFACE.

I HAVE now waited till almost all our periodical journals have distributed their usual portion of criticism. To the justice of the generality of their criticisms I have nothing to object: it would ill become me to quarrel with their very slight degree of censure, when, perhaps, if they had been less kind they had been more candid. Returning, therefore, to all and each my best thanks for their liberality, on one point alone shall I venture an observation. Amongst the many objections justly urged to the very indifferent character of the “vagrant Childe,” (whom, notwithstanding many hints to the contrary, I still maintain to be a fictitious personage,) it has been stated, that, besides the anachronism, he is very unknightly, as the times of the Knights were times of Love, Honour, and so forth. Now, it so happens that the good old times, when “ l'amour du bon vieux tems, l'amour antique,” flourished, were the most profligate of all possible centuries.

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