Screening the Novel: The Theory and Practice of Literary DramatizationMacmillan, 1990 - 174 sider The book takes as its theme the relationship between literature and the contemporary means of production and distribution collectively termed 'the media' - in particular, film and television. The intention of the book is to explore and evaluate the mutual opportunities and restrictions in this relationship. In the grammar of our culture there seems to be an accepted opinion that print is superior in terms of cultural production to film, radio or television, that to read a book is somehow a 'higher' cultural activity than seeing a play on television or seeing a film. By the same token, a novel is a 'superior' work of art to film or television. The longer perspective reveals that traditionally there always is a greater respect paid to the previous mode of literary production - poetry was superior to drama, poetic drama was superior to the novel, and film attained cult and classic status initially over television. |
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Side 121
... production as a freelance director was Ladies , a BBC Play For Today which was shortly followed by My Dear Palestrina for BBC Playhouse which won the 1980 RTE / Jacob's Award . Since then a wide range of work includes episodes of Grange ...
... production as a freelance director was Ladies , a BBC Play For Today which was shortly followed by My Dear Palestrina for BBC Playhouse which won the 1980 RTE / Jacob's Award . Since then a wide range of work includes episodes of Grange ...
Side 122
... production team , issues relating to the overall style of the production - the choice of naturalistic style , and consideration of whether a BBC ' house style ' for TV classic novel serializations has developed . One of the things that ...
... production team , issues relating to the overall style of the production - the choice of naturalistic style , and consideration of whether a BBC ' house style ' for TV classic novel serializations has developed . One of the things that ...
Side 133
... production associate on Vanity Fair . Chris Wensley asked her to comment on her role in the production . AG : First of all , I am the person who should set the budget up , but in this case Dave Edwards set it up . He was originally ...
... production associate on Vanity Fair . Chris Wensley asked her to comment on her role in the production . AG : First of all , I am the person who should set the budget up , but in this case Dave Edwards set it up . He was originally ...
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ix | 26 |
The Classic Serial Tradition | 45 |
Great Expectations | 54 |
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