Screening the Novel: The Theory and Practice of Literary DramatizationMacmillan, 1990 - 174 sider The book takes as its theme the relationship between literature and the contemporary means of production and distribution collectively termed 'the media' - in particular, film and television. The intention of the book is to explore and evaluate the mutual opportunities and restrictions in this relationship. In the grammar of our culture there seems to be an accepted opinion that print is superior in terms of cultural production to film, radio or television, that to read a book is somehow a 'higher' cultural activity than seeing a play on television or seeing a film. By the same token, a novel is a 'superior' work of art to film or television. The longer perspective reveals that traditionally there always is a greater respect paid to the previous mode of literary production - poetry was superior to drama, poetic drama was superior to the novel, and film attained cult and classic status initially over television. |
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Side 9
... screen . Equally , television in its early years was regarded as a markedly inferior art form compared to theatre and the novel . Consequently , one frequently finds sharply polarized views , such as the following : A well - made film ...
... screen . Equally , television in its early years was regarded as a markedly inferior art form compared to theatre and the novel . Consequently , one frequently finds sharply polarized views , such as the following : A well - made film ...
Side 17
... screen.'54 Because of the iconic nature of the screen image and the symbolic nature of the prose narrative , the two systems work differently upon the consumer : ' where the moving picture comes to us directly through perception ...
... screen.'54 Because of the iconic nature of the screen image and the symbolic nature of the prose narrative , the two systems work differently upon the consumer : ' where the moving picture comes to us directly through perception ...
Side 21
... screen images are also features which can greatly enhance the narrative . William Jinks in The Celluloid Literature provides many examples of how film had developed its own ' figurative language of images and sounds'.72 Without doubt ...
... screen images are also features which can greatly enhance the narrative . William Jinks in The Celluloid Literature provides many examples of how film had developed its own ' figurative language of images and sounds'.72 Without doubt ...
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The Classic Serial Tradition | 45 |
Great Expectations | 54 |
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