Elementary Lessons on Sound ...Macmillan & Company, 1879 - 191 sider |
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... REFLECTION - REFRACTION CHAPTER III . INTENSITY , CONSONANCE , INTERFERENCE CHAPTER IV . PITCH - ITS MEASUREMENT , LIMITS , VARIATION , STANDARDS , AND TONOMETRY · F CHAPTER V. - OF MUSICAL TONE- QUALITY HARMONICS -RE- TANT.
... REFLECTION - REFRACTION CHAPTER III . INTENSITY , CONSONANCE , INTERFERENCE CHAPTER IV . PITCH - ITS MEASUREMENT , LIMITS , VARIATION , STANDARDS , AND TONOMETRY · F CHAPTER V. - OF MUSICAL TONE- QUALITY HARMONICS -RE- TANT.
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William Henry Stone. CHAPTER V. - OF MUSICAL TONE- QUALITY HARMONICS -RE- TANT TONES PAGE 110 CHAPTER VI . = OF HEAT , ATMOSPHERIC PRESSURE , MOISTURE , NSITY 127 • CHAPTER VII . CHORDS , TEMPERAMENT , AND TUNING . 134 CHAPTER VIII ...
William Henry Stone. CHAPTER V. - OF MUSICAL TONE- QUALITY HARMONICS -RE- TANT TONES PAGE 110 CHAPTER VI . = OF HEAT , ATMOSPHERIC PRESSURE , MOISTURE , NSITY 127 • CHAPTER VII . CHORDS , TEMPERAMENT , AND TUNING . 134 CHAPTER VIII ...
Side 1
... musical sound seems similarly vague . Dr. Haughton has ingeniously shown that the rattling of vehicles over equal - sized stones becomes musical at a definite velocity ; from the confused rattle of a railway train in a tunnel the ...
... musical sound seems similarly vague . Dr. Haughton has ingeniously shown that the rattling of vehicles over equal - sized stones becomes musical at a definite velocity ; from the confused rattle of a railway train in a tunnel the ...
Side 2
... Musical Scales . To bridge over the gap between this science and the art of music , slightly more extended treatment is needed : -- • 1. MODES OF PRODUCTION . 2. MODES OF PROPAGATION . REFLECTION . REFRACTION . 3. INTENSITY . CONSONANCE ...
... Musical Scales . To bridge over the gap between this science and the art of music , slightly more extended treatment is needed : -- • 1. MODES OF PRODUCTION . 2. MODES OF PROPAGATION . REFLECTION . REFRACTION . 3. INTENSITY . CONSONANCE ...
Side 3
... musical note is of itself a mathematical fact , quite independent of its power of exciting emotion and pleasure by its artistic pro- duction . On the other hand , tuning and intonation , originally left entirely to the accurate and ...
... musical note is of itself a mathematical fact , quite independent of its power of exciting emotion and pleasure by its artistic pro- duction . On the other hand , tuning and intonation , originally left entirely to the accurate and ...
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bassoon beats bell Cambridge cartilages cavity chords clarinet comma consonant Crown 8vo density Edition elastic ELEMENTARY TREATISE English enharmonic equal temperament Eton College excited Extra fcap fifth flame flute fork fundamental note give harmonic harmonium heard heat Helmholtz HISTORY human voice instrument intervals J. P. MAHAFFY John's College keyboard keys late Fellow LATIN length longitudinal Lord Rayleigh lower major third Mathematical membrane metal method metres minor Minor Sixth minor third monochord motion musical tones named nodes number of vibrations numerous Illustrations oboe octave ordinary organ Owens College Oxford perfect perfect fifths pipe pitch plate prime tone produced Professor ratio reed resonance rotating scale schismas School semitone sharpened siren sixth sonorous source of sound stopped string temperament temperature termed tonometer tube tuned tuning-fork unison upper partial tones velocity of sound vibration number violin wave wave-length
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