Gothic Ireland: Horror and the Irish Anglican Imagination in the Long Eighteenth CenturyFour Courts, 2005 - 240 sider This book examines the formation of Anglican identity in Ireland throughout the long, 18th century. Beginning with the 1641 Rebellion, which constitutes the inaugurating event of Anglican Ireland, the book traces the convolutions of this identity through to the Act of Union in 1801. It argues that Gothicism is the basic modality in which Anglican Ireland found expression, and traces the themes and modes of Gothic writing in political tracts, philosophical pamphlets, graveyard poetry, aesthetic treatises, and Gothic novels. In linking these diffuse modes of writing through their common recourse to a Gothic language, this book produces a psycho-history of the Anglican mind. |
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Side 63
... fear a social revolution should Catholics regain polit- ical power ( a fear in which he was completely justified ) , but another 1641 . Catholics are an inveterate danger in that they are biologically programmed to be killing machines ...
... fear a social revolution should Catholics regain polit- ical power ( a fear in which he was completely justified ) , but another 1641 . Catholics are an inveterate danger in that they are biologically programmed to be killing machines ...
Side 86
... fear of your nearest neighbour and even your family , is articulated in medical terms as the spread of contagion or vampirism or zombieism . A clear example of this is Joseph Sheridan Le Fanu's vampire narrative ' Carmilla ' ( 1872 ) ...
... fear of your nearest neighbour and even your family , is articulated in medical terms as the spread of contagion or vampirism or zombieism . A clear example of this is Joseph Sheridan Le Fanu's vampire narrative ' Carmilla ' ( 1872 ) ...
Side 128
... Fear of contamination by Irish Catholics was prominent in Irish Protestant circles , a fear exploited here . Swift himself was often accused of such contam- ination : for example , if Queen Anne was unsure what to make of the writer of ...
... Fear of contamination by Irish Catholics was prominent in Irish Protestant circles , a fear exploited here . Swift himself was often accused of such contam- ination : for example , if Queen Anne was unsure what to make of the writer of ...
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PREFACE | 7 |
creating the Catholic Other in Sir John Temples | 28 |
religion identity and the emergence of narrative | 55 |
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