Artaud and the Gnostic DramaClarendon Press, 1994 - 230 sider This study offers a reappraisal of the importance of Antonin Artaud (1896-1948) in contemporary critical debate, and examines the intricate parallels between his heretical dramaturgy and the heresies of ancient Gnosticism. Artaud is a figure who, mythologized as an icon of failure and madness, has achieved the pathos of a martyrdom. One of the effects of this myth has been to draw the screen of pathos over the self-mythologizing and self-dramatizing which generate the extraordinary energies in Artaud's vast oeuvre. Using the term 'heresy' in place of 'madness' to designate the impassioned thought processes which escape the terms of orthodox western epistemology, this book situates Artaud, as the most extravagant of heretics, in company with the Gnostics whose speculations served to define heresy in the beginnings of the Christian tradition. Like that of the Gnostics, Artaud's cosmology is inherently dramatic, setting creature against creator, force against form, matter against spirit, pious knowledge against heretical gnosis. Jane Goodall argues that major post-structuralist critics such as Derrida, Deleuze, and Foucault, who have enlisted Artaud in their own anti-orthodoxies, have refused to pay attention to the terms of his own heresy. In this refusal, they display an anxiety towards the gnostic drama and its heresies, which mount an assault that may be more powerful than their own upon the founding tenets of western thought. |
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Side 39
... revolution became explicit in Artaud's writing with his accession to the Surrealist movement at the end of 1924. It is as though , intoxicated by a view of the Surrealist revolution as the massing of forces with which his own wrathful ...
... revolution became explicit in Artaud's writing with his accession to the Surrealist movement at the end of 1924. It is as though , intoxicated by a view of the Surrealist revolution as the massing of forces with which his own wrathful ...
Side 41
... revolution- ary ambitions foundered on an excessive ' commitment to individual- ity ' . ' Cultural revolution that refuses to be political ' , says Sontag , ' has nowhere to go but toward a theology of culture and a soteriology . " 27 ...
... revolution- ary ambitions foundered on an excessive ' commitment to individual- ity ' . ' Cultural revolution that refuses to be political ' , says Sontag , ' has nowhere to go but toward a theology of culture and a soteriology . " 27 ...
Side 152
... revolution , knowledge , destiny , sickness , and cure are expounded in these addresses is collective . Polemical positions developed from the thematics of Le Théâtre et son double are now attributed to ' the youth of France ' , or to ...
... revolution , knowledge , destiny , sickness , and cure are expounded in these addresses is collective . Polemical positions developed from the thematics of Le Théâtre et son double are now attributed to ' the youth of France ' , or to ...
Innhold
The Gnostic Drama | 1 |
The Miseenscène | 20 |
Plotting the Point of Destruction | 48 |
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abjection alchemical alien protagonist André Breton Antonin Artaud Artaud's texts attempt Bataille becomes body Breton c'est Cahiers Cathar Cenci Ciguri consciousness corps cosmos created creation creator culture d'une death declares demiurge demonic Derrida destiny devouring principle Dieu discourse divine doctrine double dramaturgy dualism dynamic enemy être evil figure flesh force gesture gnosis Gnostic gnostic drama Gnostic Religion Gogh Hans Jonas Heliogabalus hermeneutics Hoichi homme human Ibid idea identified immanent incarnate j'ai Jacques Derrida jamais Jonas Kristeva l'être La Révolution Surréaliste Lacan language logic madness Mandean Manichaean manifestation matter metaphysical monde movement myth narrative nature Nietzsche occult ontological Orient origin orthodoxy Paracelsan Paris Paul Ricœur plague Pleroma point suprême position presence primal qu'il radical revolution Ricœur Rodez scenario scene sexual story suggests suicide Surrealist symbolic Tarahumara terre Théâtre Theatre of Cruelty Thyestes tion tout trans transcendent Uccello violent vision whilst