The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay Upon His Philosophical and Theological Opinions, Volum 3Harper & Brothers, 1854 |
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Side vi
... perhaps xvi . are by his hand ; the notes signed " Editor " were written by him ; and he drew up the Biographi- cal Supplement ( the first three chapters of it containing the Letters ) , which is placed at the end of the volume . His ...
... perhaps xvi . are by his hand ; the notes signed " Editor " were written by him ; and he drew up the Biographi- cal Supplement ( the first three chapters of it containing the Letters ) , which is placed at the end of the volume . His ...
Side xxxi
... perhaps renders the Biographia more inexplicable . For herein S. T. C. assumes the originality of Schelling - which can only be received with great qualifications — and is content to have it admitted , that the agree- ments between ...
... perhaps renders the Biographia more inexplicable . For herein S. T. C. assumes the originality of Schelling - which can only be received with great qualifications — and is content to have it admitted , that the agree- ments between ...
Side xxxii
... perhaps be an appeal : but neither in German nor in English could a pair of hexameters be made to present such variety in unity , such a perfect little whole , as the elegiac distich . Readers may compare the translated verse with the ...
... perhaps be an appeal : but neither in German nor in English could a pair of hexameters be made to present such variety in unity , such a perfect little whole , as the elegiac distich . Readers may compare the translated verse with the ...
Side xxxiii
... perhaps as generally read here as those of Shakspeare in Germany . 66 The expression " brightest gems , " however , is meant to include Lines on a Cataract , which are somewhat more conspicuous in Coleridge's poetic wreath than the pair ...
... perhaps as generally read here as those of Shakspeare in Germany . 66 The expression " brightest gems , " however , is meant to include Lines on a Cataract , which are somewhat more conspicuous in Coleridge's poetic wreath than the pair ...
Side xliii
... perhaps unconsciously , into such a shape as best suits his purpose . Now in order to show that these inconveniences do attach to the principle itself , I will take my example of its operation from à respectable quarter , where no ...
... perhaps unconsciously , into such a shape as best suits his purpose . Now in order to show that these inconveniences do attach to the principle itself , I will take my example of its operation from à respectable quarter , where no ...
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The Complete Works of Samuel Taylor Coleridge: With an Introductory ..., Volum 3 Samuel Taylor Coleridge Uten tilgangsbegrensning - 1854 |
The Complete Works of Samuel Taylor Coleridge: With an Introductory ..., Volum 3 Samuel Taylor Coleridge Uten tilgangsbegrensning - 1858 |
The Complete Works of Samuel Taylor Coleridge: With an Introductory ..., Volum 3 Samuel Taylor Coleridge Uten tilgangsbegrensning - 1884 |
Vanlige uttrykk og setninger
admiration Antinomianism appear Archdeacon Hare Aristotle believe Biographia Biographia Literaria called cause character Christ Christian Church Coleridge's criticism divine doctrine edition effect Essay Eucharist expressed faith fancy Father feelings Fichte former genius German ground heart Holy honor human ideas imagination intellectual Irenæus irreligion Jacobinism justifying Kant language least less letter lines literary Luther Lyrical Ballads Maasz means metaphysical metre Milton mind moral Morning Post nature never notion object opinion original outward Pantheism passage perhaps persons philosophy Pindar Plato poems poet poetic poetry present principles produced prose published quæ Ratzeburg reader reason reference religion religious remarks S. T. COLERIDGE Schelling Schelling's seems sense Shakspeare Solifidian sonnets soul Southey speak Spinoza spirit stanza suppose Tertullian things thought tion translated true truth verse whole words Wordsworth writings καὶ τὸ
Populære avsnitt
Side 496 - Ah ! then if mine had been the painter's hand, To express what then I saw ; and add the gleam, The light that never was, on sea or land, The consecration, and the poet's dream...
Side 365 - Lyrical Ballads, in which it was agreed that my endeavours should be directed to persons and characters supernatural or at least romantic, yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief for the moment which constitutes poetic faith.
Side 379 - Not mine own fears, nor the prophetic soul Of the wide world dreaming on things to come, Can yet the lease of my true love control, Supposed as forfeit to a confined doom.
Side 385 - Yet I argue not Against Heaven's hand or will, nor bate a jot Of heart or hope, but still bear up and steer Right onward.
Side 416 - By bud of nobler race : this is an art Which does mend nature, change it rather, but The art itself is nature.
Side 499 - But for those first affections, Those shadowy recollections, Which, be they what they may, Are yet the fountain light of all our day, Are yet a master light of all our seeing...
Side 401 - Humble and rustic life was generally chosen because in that condition the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language...
Side 363 - I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree and in the mode of its operation.
Side 199 - That time is past, And all its aching joys are now no more, And all its dizzy raptures. Not for this Faint I, nor mourn, nor murmur ; other gifts Have followed ; for such loss, I would believe, Abundant recompense.
Side 493 - She shall be sportive as the fawn That wild with glee across the lawn Or up the mountain springs ; And hers shall be the breathing balm, And hers the silence and the calm Of mute, insensate things.