HERZEN'S MEMOIRS, Vol. 5. Translated by Constance Garnett. Chatto and Windus, 3/6. THE LIFE OF WILLIAM GODWIN. By Ford K. Brown. Dent, 16/-. BEATRICE CENCI. By Corrado Ricci. Translated by M. Bishop and H. L. Stuart. Two vols. Heinemann, 32/-. CRITICISM JAMES JOYCE. HIS FIRST FORTY YEARS. By Herbert S. Gorman. Bles, 7/6. THE REVIVAL OF ESTHETICS. Hubert Waley. Hogarth Press, 3/6. HISTORY OF ENGLISH LITERATURE. Vol. I: THE MIDDLE AGES AND THE RENAISSANCE. By Emile Legouis and Louis Cazamian. Dent, 10/6. MADAME DE STAEL. By D. G. Larg. Translated by V. Lucas. Routledge, 12/6. FICTION THE CHARTERHOUSE OF PARMA. By Stendhal. Translated by THE QUESTION MARK. By M. Jaeger. Hogarth Press, 7/6. Press, 7/6. By Matius Lyle. Hogarth INNOCENT BIRDS. By T. F. Powys. Chatto and Windus, 7/6. THE SACRED Tree (The Tale of Genji, Vol. 2). Translated by Arthur Waley. Allen and Unwin, 10/6. GENERAL LITERATURE LAST ESSAYS. By Joseph Conrad. Dent, 7/6. Windus, 18/-. Chatto and REPRINTS SWIFT. Selected Letters. Bohn's Popular Library. Bell, 2/DEKKER'S PLAGUE PAMPHLETS. Edited by F. P. Wilson. Oxford University Press, 9/-. DONNE. Devotions upon Emergent Occasions, with Death's Duel. Abbey Classics. Simpkins, 3/6. DOUGHTY. Wanderings in Arabia. Duckworth, 12/6. > GENERAL LIBRARY THE BEATRIX HOLMS THE WORKSHOP OF KENNETH GORHAM B. MUNSON THE APOLOGY FOR YAHOOS 1, FEATHERSTONE BUILDINGS, HIGH HOT 105 : POEMS, by Hart Crane A SUBURBAN INCIDENT, by Herbert L. Kahan FOUNDATION STONE TO A NEW CITY HALL, (A POEм), by Alec Brown THE SALVATION OF ANATOLE FRANCE, by Louis Rougier THE ZODIAC, (A POEM), by Beatrix Holms 109 116 121 127 129 150 IN AND ABOUT THE WORKSHOp of Kenneth BURKE, by Gorham ... ... THE APOLOGY FOR YAHOOS, by Jasper Bildje NOTES AND REVIEWS ... "Where is Britain Going?" by Trotsky, Reviewed by "Confessio Juvenis," by Hughes, Reviewed by Edgell FICTION Reviewed by C. H. Rickword 156 166 THE CALENDAR is published quarterly. Price 2/6 a number, or by post 2/8. Yearly rate: 10/- post free from address on cover. THREE POEMS FROM A SEQUENCE: HERO ENTOMBED I My lamp, full charged with its sweet oil, still burns, Has burned a whole year and it shows no check. My cerements there Lie where I rolled them off, The death odours within them, Harshly composed, coiled up in marble fold. This tent of white translucent stone, my tomb, As a calm sea might do Through its tough warping lens From the ascendant moon at its highest step. Some have complained the gentleness of the sea, Stagnantly streaming, with quick ebb withdrawing Thus sound to me, And like its noonday hiss Wheels, voices, music, thunder, the trumpet at dawn. You must not think my entertainment slight In the close prison where I walk all day. "And yet, entombed, Do not your thoughts oppressed Pluck off the bandage from your sores, From arrow-wound and from ulcered armour-gall?" My wounds are dried already to pale weals. I did not fall in battle as you think, On Epipolæ Dashed from the rock head down Or in the quarries stifle, But stoned by words and pierced with beams of eyes. So, patient, not regretful, self-consoling I walk, touching the tomb wall with my fingers, In silent entertainment. On the smooth floor The stirred dust ankle deep Steams up languid, to clog the struggling lamp flame. Syracuse. II With such frail stuff they use to shroud our limbs, You'd think the mightiest dead were childish weak. In a waking spasm Each can snap off His linen fetters, Then rend away the scarf sealing his lips. Such heavy tears you weep, you other dead. Here white Nero Shows his deep severed throat. Does that proud front bear sorrow and disquiet? Within what dance shall ransomed limbs conform, Yet faintly my voice sounds. Hero am I, A being sacred, blessed in its repose? To break the line that sleep had writhed me in, I must crack the ribs apart. Ah, look where lies An unbodied lump of sweetness at the heart. |