The Rhetorical Reader: Consisting of Instructions for Regulating the Voice, with a Rhetorical Notation, Illustrating Inflection, Emphasis, and Modulation, and a Course of Rhetorical ExericsesDayton and Newman, 1842 - 304 sider |
Inni boken
Resultat 1-5 av 47
Side 3
... natural , be made responsible , not merely for its own propor- tion , out for the whole of these defects . The only remedy for habits thus firmly established , obviously must lie in a patient , elementary process , adapted to form new ...
... natural , be made responsible , not merely for its own propor- tion , out for the whole of these defects . The only remedy for habits thus firmly established , obviously must lie in a patient , elementary process , adapted to form new ...
Side 6
... 27 and 110. - After getting the command of the voice , the great point to be steadily kept in view , is to apply the principles of emphasis and inflection , just as nature and sentiment demand . In respect to those principles of.
... 27 and 110. - After getting the command of the voice , the great point to be steadily kept in view , is to apply the principles of emphasis and inflection , just as nature and sentiment demand . In respect to those principles of.
Side 16
... NATURAL . But what is it to be natural ? The pupil will understand , probably , that he is to read in the manner that is most easy to himself , or that gives him the least trouble ; that is , the manner to which he is accustomed . Bad ...
... NATURAL . But what is it to be natural ? The pupil will understand , probably , that he is to read in the manner that is most easy to himself , or that gives him the least trouble ; that is , the manner to which he is accustomed . Bad ...
Side 19
... natural ; and if any think it to be so , I must suppose that they have not been accustomed to distinguish between a slide of the voice , and that transition of note to higher or lower , in which consecutive syllables are uttered . If ...
... natural ; and if any think it to be so , I must suppose that they have not been accustomed to distinguish between a slide of the voice , and that transition of note to higher or lower , in which consecutive syllables are uttered . If ...
Side 28
... nature , they are instinctively right ; so that scarcely a man in a million uses artificial tones in conversation . And this one fact , I remark in passing , furnishes a standing canon to the learner in elocution . In contending with ...
... nature , they are instinctively right ; so that scarcely a man in a million uses artificial tones in conversation . And this one fact , I remark in passing , furnishes a standing canon to the learner in elocution . In contending with ...
Andre utgaver - Vis alle
The Rhetorical Reader: Consisting of Instructions for Regulating the Voice ... Ebenezer Porter Uten tilgangsbegrensning - 1834 |
The Rhetorical Reader: Consisting of Instructions for Regulating the Voice ... Ebenezer Porter Uten tilgangsbegrensning - 1842 |
Vanlige uttrykk og setninger
accent angel answer antithetic arms battle behold Beotia blessings Bossuet Bourdaloue circumflex colossal cavern dark dead death denote distinction divíne dreadful earth elocution eloquence emotion emphasis emphatic series eternal examples EXERCISE expressed falling inflection falling slide father fault fear feeling fire flames give glory grave habits hand happiness hast hath head hear heard heart heaven Hispaniola hope horror Jesus live look Lord loud meaning mind never night o'er open vowels passed pause phatic principle question reader requires the falling rhetorical rising inflection rising slide Rolla say unto sense senseless things sentence shining instruments ship smile soul sound speak speaker spirit stand storm syllable tears tell thee thing thou thought throne thunder tion tones turn uttered virgin band voice vowel whole wife William Reed wind words