English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 sider |
Inni boken
Resultat 1-3 av 75
Side 60
... Shake- speare in the spirit of exact scholarship . Although his works are of the highest value , their chief concern is with textual problems , and , therefore , a detailed exam- ination of them is no part of a study which is confined ...
... Shake- speare in the spirit of exact scholarship . Although his works are of the highest value , their chief concern is with textual problems , and , therefore , a detailed exam- ination of them is no part of a study which is confined ...
Side 127
... Shake- speare's characters can be understood and appreciated by all , because they are common to all . On this point , he is in disagreement with Pope who declared that Shake- speare's characters are individuals , strongly and clearly ...
... Shake- speare's characters can be understood and appreciated by all , because they are common to all . On this point , he is in disagreement with Pope who declared that Shake- speare's characters are individuals , strongly and clearly ...
Side 270
... Shake- speare ( 1733 ) . Its critical value . Preface contains little esthetic criticism . Theobald's chief interest in verbal criti- cism . His efforts in literary criticism run to unrestrained enthusiasm . His services belong to the ...
... Shake- speare ( 1733 ) . Its critical value . Preface contains little esthetic criticism . Theobald's chief interest in verbal criti- cism . His efforts in literary criticism run to unrestrained enthusiasm . His services belong to the ...
Innhold
John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
Opphavsrett | |
9 andre deler vises ikke
Andre utgaver - Vis alle
English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
Vanlige uttrykk og setninger
accept acter action Addison admiration Æschylus appreciation artistic attempt beauties Caliban characters classical Coleridge Colman comedy comic Coriolanus Corneille declares defects defence Dennis discussion dramatic dramatist Dryden edition English enthusiastic Essay Euripides excellence expression Falstaff faults feeling Gildon Greek Hamlet Hanmer Hazlitt Henry Henry IV historical Homer Hughes imagination importance interest John Johnson judgment Julius Caesar Kames King Lear lack Lear's learning literary Macbeth Mackenzie Merchant of Venice merits method Montagu moral Morgann nature Number observations original Othello passage passion plot poet poetic poetic justice poetry Pope Pope's praise Preface qualities regarded remarks Richard Richard III Richardson romantic Rowe Rowe's rules Rymer scene sentiments Shake Shakespeare Shakespeare's genius Shakesperian criticism soliloquy Sophocles speare speare's Spectator speech stage statement Steele's sublime superior taste Tatler textual criticism Theobald Thomas Purney tion tragedy tragic Unities verse violation Voltaire Voltaire's Warburton Warton Whately Witches writers Young's Zachary Grey