English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 sider |
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Side 229
... admiration , describing Richard's flood of questions , following Stanley's " Richmond is on the seas ... He makes for England here to claim the crown , " ( IV , iv , 465 , 471 ) as a cluster of characteristic excellencies . . . they fit ...
... admiration , describing Richard's flood of questions , following Stanley's " Richmond is on the seas ... He makes for England here to claim the crown , " ( IV , iv , 465 , 471 ) as a cluster of characteristic excellencies . . . they fit ...
Side 238
... admiration for Shakespeare is an article of faith ; with the Nineteenth Century , this admiration is placed on a rational basis . The " classical " critics admired , but the romantic critics understood . The Eighteenth Century , by its ...
... admiration for Shakespeare is an article of faith ; with the Nineteenth Century , this admiration is placed on a rational basis . The " classical " critics admired , but the romantic critics understood . The Eighteenth Century , by its ...
Side 282
... admiration of Shakespeare consistent with admission of defects cited by Johnson . Judicial attitude of the Preface . Attack on Unities to be regarded as pro- moting growth of appreciation of Shakespeare . CHAPTER IV . Shakesperian ...
... admiration of Shakespeare consistent with admission of defects cited by Johnson . Judicial attitude of the Preface . Attack on Unities to be regarded as pro- moting growth of appreciation of Shakespeare . CHAPTER IV . Shakesperian ...
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John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
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English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
Vanlige uttrykk og setninger
ability accept action Addison admiration appears apply appreciation attempt attention beauties believe called characters classical clear comedy compared concerned considered Corneille criticism defects defence Dennis discussion dramatic dramatist edition Eighteenth Century elements English equal Essay example excellence explanation expression fact Falstaff faults feeling genius give Hamlet Henry historical human illustrate imagination importance indicates interest John Johnson judgment Kames King knowledge lack later Lear learning less lines Macbeth manner means merits method mind moral nature never objection observations original passage passion period person play plot poet poetry Pope practice praise Preface principle qualities question reason reference regarded remarks Richard Richardson romantic Rowe rules scene sentiments Shake Shakespeare Shakesperian shows soliloquy speare Spectator speech spirit stage statement suggest superior taste thought tion tragedy true Unities Warton writers Young