English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 sider |
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Side 74
... characters , but also in giving real pleasure . Jonson's comedies - he mentions Volpone , Epicoene , and The Alchemist - are excellent satires , exposing folly and vice , and conveying lessons through characters . Shakespeare's comedies ...
... characters , but also in giving real pleasure . Jonson's comedies - he mentions Volpone , Epicoene , and The Alchemist - are excellent satires , exposing folly and vice , and conveying lessons through characters . Shakespeare's comedies ...
Side 127
... characters can be understood and appreciated by all , because they are common to all . On this point , he is in disagreement with Pope who declared that Shake- speare's characters are individuals , strongly and clearly marked . Both ...
... characters can be understood and appreciated by all , because they are common to all . On this point , he is in disagreement with Pope who declared that Shake- speare's characters are individuals , strongly and clearly marked . Both ...
Side 280
... characters , and in maintaining consis- tency . Pope's view . Naturalness of Shakespeare's characters induces spectator to feel that he would have acted in the same way if confronted by the same situation . Supernatural characters ...
... characters , and in maintaining consis- tency . Pope's view . Naturalness of Shakespeare's characters induces spectator to feel that he would have acted in the same way if confronted by the same situation . Supernatural characters ...
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John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
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English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
Vanlige uttrykk og setninger
ability accept action Addison admiration appears apply appreciation attempt attention beauties believe called characters classical clear comedy compared concerned considered Corneille criticism defects defence Dennis discussion dramatic dramatist edition Eighteenth Century elements English equal Essay example excellence explanation expression fact Falstaff faults feeling genius give Hamlet Henry historical human illustrate imagination importance indicates interest John Johnson judgment Kames King knowledge lack later Lear learning less lines Macbeth manner means merits method mind moral nature never objection observations original passage passion period person play plot poet poetry Pope practice praise Preface principle qualities question reason reference regarded remarks Richard Richardson romantic Rowe rules scene sentiments Shake Shakespeare Shakesperian shows soliloquy speare Spectator speech spirit stage statement suggest superior taste thought tion tragedy true Unities Warton writers Young