English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 sider |
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Side 46
... considered the heart of man in its frailities , its penances , and all the variety of its agitations . The torments which the Moor suffers are so exquisitely drawn , as to render him as much an object of compassion , even in the ...
... considered the heart of man in its frailities , its penances , and all the variety of its agitations . The torments which the Moor suffers are so exquisitely drawn , as to render him as much an object of compassion , even in the ...
Side 54
... considered it an addition to their fame to be associated with his works . Pope's Preface , like Rowe's Account , is concerned only secondarily with pure literary criticism . As we have seen , the chief purpose of Rowe was to gather ...
... considered it an addition to their fame to be associated with his works . Pope's Preface , like Rowe's Account , is concerned only secondarily with pure literary criticism . As we have seen , the chief purpose of Rowe was to gather ...
Side 224
... considered this scene vicious and unnatural , but Cumberland's enthusiasm is unmodified : Terrible invocation ! Tragedy can speak no stronger lan- guage , nor could any genius less than Shakespeare's support a character of so lofty a ...
... considered this scene vicious and unnatural , but Cumberland's enthusiasm is unmodified : Terrible invocation ! Tragedy can speak no stronger lan- guage , nor could any genius less than Shakespeare's support a character of so lofty a ...
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John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
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English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
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ability accept action Addison admiration appears apply appreciation attempt attention beauties believe called characters classical clear comedy compared concerned considered Corneille criticism defects defence Dennis discussion dramatic dramatist edition Eighteenth Century elements English equal Essay example excellence explanation expression fact Falstaff faults feeling genius give Hamlet Henry historical human illustrate imagination importance indicates interest John Johnson judgment Kames King knowledge lack later Lear learning less lines Macbeth manner means merits method mind moral nature never objection observations original passage passion period person play plot poet poetry Pope practice praise Preface principle qualities question reason reference regarded remarks Richard Richardson romantic Rowe rules scene sentiments Shake Shakespeare Shakesperian shows soliloquy speare Spectator speech spirit stage statement suggest superior taste thought tion tragedy true Unities Warton writers Young