English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 sider |
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Side 98
... Genius is of two kinds : ( i ) infantine , and ( ii ) adult . Swift illustrates the first type , but an adult genius comes out of Nature's hand , as Pallas out of Jove's head , at full growth and mature : Shakespeare's genius was of ...
... Genius is of two kinds : ( i ) infantine , and ( ii ) adult . Swift illustrates the first type , but an adult genius comes out of Nature's hand , as Pallas out of Jove's head , at full growth and mature : Shakespeare's genius was of ...
Side 206
... genius , Blair does not deceive himself with exaggerated notions of the importance of arbitrary rules . In their value , with proper restrictions , in directing genius into proper chan- nels , in checking extravagance , and in pointing ...
... genius , Blair does not deceive himself with exaggerated notions of the importance of arbitrary rules . In their value , with proper restrictions , in directing genius into proper chan- nels , in checking extravagance , and in pointing ...
Side 237
... genius for the drama ever the world enjoy'd , " and Johnson - whose own genius was naturally antagon- istic to the freedom of Elizabethan genius - was con- fident that " the stream of time , which is continually washing the dissoluble ...
... genius for the drama ever the world enjoy'd , " and Johnson - whose own genius was naturally antagon- istic to the freedom of Elizabethan genius - was con- fident that " the stream of time , which is continually washing the dissoluble ...
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John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
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English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
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accept acter action Addison admiration Æschylus appreciation artistic attempt beauties Caliban characters classical Coleridge Colman comedy comic Coriolanus Corneille declares defects defence Dennis discussion dramatic dramatist Dryden edition English enthusiastic Essay Euripides excellence expression Falstaff faults feeling Gildon Greek Hamlet Hanmer Hazlitt Henry Henry IV historical Homer Hughes imagination importance interest John Johnson judgment Julius Caesar Kames King Lear lack Lear's learning literary Macbeth Mackenzie Merchant of Venice merits method Montagu moral Morgann nature Number observations original Othello passage passion plot poet poetic poetic justice poetry Pope Pope's praise Preface qualities regarded remarks Richard Richard III Richardson romantic Rowe Rowe's rules Rymer scene sentiments Shake Shakespeare Shakespeare's genius Shakesperian criticism soliloquy Sophocles speare speare's Spectator speech stage statement Steele's sublime superior taste Tatler textual criticism Theobald Thomas Purney tion tragedy tragic Unities verse violation Voltaire Voltaire's Warburton Warton Whately Witches writers Young's Zachary Grey