English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 sider |
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Side xiv
... interests . Briefly stated , the issues or problems that attracted Eighteenth Century critics were : ( i ) ... interest in the characters , the first sugges- tions of which appear , faintly , as early as 1713 , in an essay by ...
... interests . Briefly stated , the issues or problems that attracted Eighteenth Century critics were : ( i ) ... interest in the characters , the first sugges- tions of which appear , faintly , as early as 1713 , in an essay by ...
Side 21
... interest him . He felt that Shakespeare was occasionally defective in construction , but he accounts for this by reference to Shakespeare's practice of selecting plots , rather than inventing them . As he derived his material from ...
... interest him . He felt that Shakespeare was occasionally defective in construction , but he accounts for this by reference to Shakespeare's practice of selecting plots , rather than inventing them . As he derived his material from ...
Side 282
... interest and human appeal . Johnson's powerful personality behind his Notes . Biographical interest in them . May still be read with pleasure . Discussion of Notes on Hamlet , Julius Caesar , Henry IV , Henry VI , and Henry VIII ...
... interest and human appeal . Johnson's powerful personality behind his Notes . Biographical interest in them . May still be read with pleasure . Discussion of Notes on Hamlet , Julius Caesar , Henry IV , Henry VI , and Henry VIII ...
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John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
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English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
Vanlige uttrykk og setninger
ability accept action Addison admiration appears apply appreciation attempt attention beauties believe called characters classical clear comedy compared concerned considered Corneille criticism defects defence Dennis discussion dramatic dramatist edition Eighteenth Century elements English equal Essay example excellence explanation expression fact Falstaff faults feeling genius give Hamlet Henry historical human illustrate imagination importance indicates interest John Johnson judgment Kames King knowledge lack later Lear learning less lines Macbeth manner means merits method mind moral nature never objection observations original passage passion period person play plot poet poetry Pope practice praise Preface principle qualities question reason reference regarded remarks Richard Richardson romantic Rowe rules scene sentiments Shake Shakespeare Shakesperian shows soliloquy speare Spectator speech spirit stage statement suggest superior taste thought tion tragedy true Unities Warton writers Young