English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 sider |
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Side 141
... mind was once strong , and knows not that it is become weak . Such a man excels in general principles , but fails in the particular application . He is knowing in retrospect , and ignorant in foresight . While he depends upon his memory ...
... mind was once strong , and knows not that it is become weak . Such a man excels in general principles , but fails in the particular application . He is knowing in retrospect , and ignorant in foresight . While he depends upon his memory ...
Side 213
... mind . Whether his situations are real and orderly , or fantastic and improbable , the persons of his drama speak in the language of the heart , and in the style of their characters . In these points Mackenzie has already been ...
... mind . Whether his situations are real and orderly , or fantastic and improbable , the persons of his drama speak in the language of the heart , and in the style of their characters . In these points Mackenzie has already been ...
Side 215
... mind , ever puts himself in mind ; at last does all but lose his purpose from his thoughts ; yet still without recovering his peace of mind . ( Wilhelm Meister's Apprenticeship , Book IV , Chap . XIII ) . is the expression of his highly ...
... mind , ever puts himself in mind ; at last does all but lose his purpose from his thoughts ; yet still without recovering his peace of mind . ( Wilhelm Meister's Apprenticeship , Book IV , Chap . XIII ) . is the expression of his highly ...
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John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
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English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
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accept acter action Addison admiration Æschylus appreciation artistic attempt beauties Caliban characters classical Coleridge Colman comedy comic Coriolanus Corneille declares defects defence Dennis discussion dramatic dramatist Dryden edition English enthusiastic Essay Euripides excellence expression Falstaff faults feeling Gildon Greek Hamlet Hanmer Hazlitt Henry Henry IV historical Homer Hughes imagination importance interest John Johnson judgment Julius Caesar Kames King Lear lack Lear's learning literary Macbeth Mackenzie Merchant of Venice merits method Montagu moral Morgann nature Number observations original Othello passage passion plot poet poetic poetic justice poetry Pope Pope's praise Preface qualities regarded remarks Richard Richard III Richardson romantic Rowe Rowe's rules Rymer scene sentiments Shake Shakespeare Shakespeare's genius Shakesperian criticism soliloquy Sophocles speare speare's Spectator speech stage statement Steele's sublime superior taste Tatler textual criticism Theobald Thomas Purney tion tragedy tragic Unities verse violation Voltaire Voltaire's Warburton Warton Whately Witches writers Young's Zachary Grey