English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 sider |
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Side 203
... nature may be obtained ; a nature of effects only , to which neither the relations of place , or continuity of time , are always essential . Nature , condescending to the faculties and appre- hensions of man , has drawn through human ...
... nature may be obtained ; a nature of effects only , to which neither the relations of place , or continuity of time , are always essential . Nature , condescending to the faculties and appre- hensions of man , has drawn through human ...
Side 279
... nature . Shakespeare's works of highest value in this direction . Rare occurrence of power in both tragedy and comedy . Milton great only in sublimity . Swift and Butler great only in comic power . Shakespeare , alone , equally great in ...
... nature . Shakespeare's works of highest value in this direction . Rare occurrence of power in both tragedy and comedy . Milton great only in sublimity . Swift and Butler great only in comic power . Shakespeare , alone , equally great in ...
Side 292
... nature of , 239 . CICERO , 44 , 52 , 137 . Cibber as Richard III , 38 ( Steele ) . classical , use of the term , vii . Claudio , 23 . Claudius , 128 , 129 , 188 , 216 . clearness in expression , 118 ( Beattie ) . COLERIDGE , SAMUEL ...
... nature of , 239 . CICERO , 44 , 52 , 137 . Cibber as Richard III , 38 ( Steele ) . classical , use of the term , vii . Claudio , 23 . Claudius , 128 , 129 , 188 , 216 . clearness in expression , 118 ( Beattie ) . COLERIDGE , SAMUEL ...
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John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
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English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
Vanlige uttrykk og setninger
ability accept action Addison admiration appears apply appreciation attempt attention beauties believe called characters classical clear comedy compared concerned considered Corneille criticism defects defence Dennis discussion dramatic dramatist edition Eighteenth Century elements English equal Essay example excellence explanation expression fact Falstaff faults feeling genius give Hamlet Henry historical human illustrate imagination importance indicates interest John Johnson judgment Kames King knowledge lack later Lear learning less lines Macbeth manner means merits method mind moral nature never objection observations original passage passion period person play plot poet poetry Pope practice praise Preface principle qualities question reason reference regarded remarks Richard Richardson romantic Rowe rules scene sentiments Shake Shakespeare Shakesperian shows soliloquy speare Spectator speech spirit stage statement suggest superior taste thought tion tragedy true Unities Warton writers Young