English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 sider |
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Side 127
... never seen , conversing in a language which was never heard , upon topics which will SAMUEL JOHNSON 127.
... never seen , conversing in a language which was never heard , upon topics which will SAMUEL JOHNSON 127.
Side 200
... never honor him with compli- mentary remarks , but because of the latter , we can scarcely forgive the ingratitude of the Prince in the new - born virtue of the King , and we curse the severity of that poetic justice which consigns our ...
... never honor him with compli- mentary remarks , but because of the latter , we can scarcely forgive the ingratitude of the Prince in the new - born virtue of the King , and we curse the severity of that poetic justice which consigns our ...
Side 219
... never seen it , than that by which it creates what never existed . This power , when we read the works , and consider the situation , of Shakespeare we shall allow him in a most extraordinary degree . The delineation of manners found in ...
... never seen it , than that by which it creates what never existed . This power , when we read the works , and consider the situation , of Shakespeare we shall allow him in a most extraordinary degree . The delineation of manners found in ...
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John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
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English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
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accept acter action Addison admiration Æschylus appreciation artistic attempt beauties Caliban characters classical Coleridge Colman comedy comic Coriolanus Corneille declares defects defence Dennis discussion dramatic dramatist Dryden edition English enthusiastic Essay Euripides excellence expression Falstaff faults feeling Gildon Greek Hamlet Hanmer Hazlitt Henry Henry IV historical Homer Hughes imagination importance interest John Johnson judgment Julius Caesar Kames King Lear lack Lear's learning literary Macbeth Mackenzie Merchant of Venice merits method Montagu moral Morgann nature Number observations original Othello passage passion plot poet poetic poetic justice poetry Pope Pope's praise Preface qualities regarded remarks Richard Richard III Richardson romantic Rowe Rowe's rules Rymer scene sentiments Shake Shakespeare Shakespeare's genius Shakesperian criticism soliloquy Sophocles speare speare's Spectator speech stage statement Steele's sublime superior taste Tatler textual criticism Theobald Thomas Purney tion tragedy tragic Unities verse violation Voltaire Voltaire's Warburton Warton Whately Witches writers Young's Zachary Grey