English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 sider |
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Side xiii
... period can be judged entirely by its writings . With reference to criticism , it is easily possible to over- state the importance of treatises which give literary expression to rules accepted — at least in theory — by pro- fessional ...
... period can be judged entirely by its writings . With reference to criticism , it is easily possible to over- state the importance of treatises which give literary expression to rules accepted — at least in theory — by pro- fessional ...
Side 16
... period , and , in expressing it , Rowe simply shows that , on this point , he is of , and not above , his period . The distinction here set forth is at the basis of a large part of eighteenth century criticism , and it is one of its ...
... period , and , in expressing it , Rowe simply shows that , on this point , he is of , and not above , his period . The distinction here set forth is at the basis of a large part of eighteenth century criticism , and it is one of its ...
Side 145
... period , we begin to see the first signs of tendencies which are still more prominent after Johnson's Preface . The interest in the characters of Shakespeare - the distinctive feature of the criticism of the last three decades of the ...
... period , we begin to see the first signs of tendencies which are still more prominent after Johnson's Preface . The interest in the characters of Shakespeare - the distinctive feature of the criticism of the last three decades of the ...
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John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
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English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
Vanlige uttrykk og setninger
ability accept action Addison admiration appears apply appreciation attempt attention beauties believe called characters classical clear comedy compared concerned considered Corneille criticism defects defence Dennis discussion dramatic dramatist edition Eighteenth Century elements English equal Essay example excellence explanation expression fact Falstaff faults feeling genius give Hamlet Henry historical human illustrate imagination importance indicates interest John Johnson judgment Kames King knowledge lack later Lear learning less lines Macbeth manner means merits method mind moral nature never objection observations original passage passion period person play plot poet poetry Pope practice praise Preface principle qualities question reason reference regarded remarks Richard Richardson romantic Rowe rules scene sentiments Shake Shakespeare Shakesperian shows soliloquy speare Spectator speech spirit stage statement suggest superior taste thought tion tragedy true Unities Warton writers Young