English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 sider |
Inni boken
Resultat 1-3 av 34
Side 113
... plot , ( or under plot ) , if one be allowed , should be closely connected with the main plot ; it should contain the same characters , and its conclusion should coincide with that of the main plot . The Merry Wives of Windsor meets ...
... plot , ( or under plot ) , if one be allowed , should be closely connected with the main plot ; it should contain the same characters , and its conclusion should coincide with that of the main plot . The Merry Wives of Windsor meets ...
Side 274
... plot . Johnson's his- torical defence of cruelty of Regan and Goneril . Agrees with Warton on Gloucester's treatment . " Romantic " tenden- cies in Warton . Points at which he meets Hazlitt and Coleridge . Historical importance of his ...
... plot . Johnson's his- torical defence of cruelty of Regan and Goneril . Agrees with Warton on Gloucester's treatment . " Romantic " tenden- cies in Warton . Points at which he meets Hazlitt and Coleridge . Historical importance of his ...
Side 280
... plot . Criticism of Hanmer's editorial work on Shakespeare . Prologue ( 1747 ) for the opening of the Drury Lane Theater . Shake- sperian criticism in the Rambler essays . Johnson's opinion of tragi - comedy . Shakespeare's success in ...
... plot . Criticism of Hanmer's editorial work on Shakespeare . Prologue ( 1747 ) for the opening of the Drury Lane Theater . Shake- sperian criticism in the Rambler essays . Johnson's opinion of tragi - comedy . Shakespeare's success in ...
Innhold
John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
Opphavsrett | |
9 andre deler vises ikke
Andre utgaver - Vis alle
English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
Vanlige uttrykk og setninger
ability accept action Addison admiration appears apply appreciation attempt attention beauties believe called characters classical clear comedy compared concerned considered Corneille criticism defects defence Dennis discussion dramatic dramatist edition Eighteenth Century elements English equal Essay example excellence explanation expression fact Falstaff faults feeling genius give Hamlet Henry historical human illustrate imagination importance indicates interest John Johnson judgment Kames King knowledge lack later Lear learning less lines Macbeth manner means merits method mind moral nature never objection observations original passage passion period person play plot poet poetry Pope practice praise Preface principle qualities question reason reference regarded remarks Richard Richardson romantic Rowe rules scene sentiments Shake Shakespeare Shakesperian shows soliloquy speare Spectator speech spirit stage statement suggest superior taste thought tion tragedy true Unities Warton writers Young