English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 sider |
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Side 81
... praise to Shakespeare's knowledge of human nature , which has given to his infinitely varied Pictures of it , such Truth of Design , such Force of Drawing , such Beauty of Colouring , as was hardly ever equalled by any writer , whether ...
... praise to Shakespeare's knowledge of human nature , which has given to his infinitely varied Pictures of it , such Truth of Design , such Force of Drawing , such Beauty of Colouring , as was hardly ever equalled by any writer , whether ...
Side 126
... praise of his excellencies . He that claims . . . the honours of perfection will surely injure the reputation which he designs to assist . This position here taken , it may be said , is accepted by the present - day rational school of ...
... praise of his excellencies . He that claims . . . the honours of perfection will surely injure the reputation which he designs to assist . This position here taken , it may be said , is accepted by the present - day rational school of ...
Side 212
... praise calls forth equally unreasonable censure , inspired by national jealousy . From the evils of territorial pride and alien antagonism few authors have suffered as much as Shakespeare . Possessing all the sublimity of extraordinary ...
... praise calls forth equally unreasonable censure , inspired by national jealousy . From the evils of territorial pride and alien antagonism few authors have suffered as much as Shakespeare . Possessing all the sublimity of extraordinary ...
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John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
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English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
Vanlige uttrykk og setninger
ability accept action Addison admiration appears apply appreciation attempt attention beauties believe called characters classical clear comedy compared concerned considered Corneille criticism defects defence Dennis discussion dramatic dramatist edition Eighteenth Century elements English equal Essay example excellence explanation expression fact Falstaff faults feeling genius give Hamlet Henry historical human illustrate imagination importance indicates interest John Johnson judgment Kames King knowledge lack later Lear learning less lines Macbeth manner means merits method mind moral nature never objection observations original passage passion period person play plot poet poetry Pope practice praise Preface principle qualities question reason reference regarded remarks Richard Richardson romantic Rowe rules scene sentiments Shake Shakespeare Shakesperian shows soliloquy speare Spectator speech spirit stage statement suggest superior taste thought tion tragedy true Unities Warton writers Young