English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 sider |
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Side 93
... references to Shakespeare in his Sketches : Or Essays On Various Subjects . These were first published in 1758 under ... reference to the latter , Armstrong suggests that it violates decorum and probability , but he does not develop the ...
... references to Shakespeare in his Sketches : Or Essays On Various Subjects . These were first published in 1758 under ... reference to the latter , Armstrong suggests that it violates decorum and probability , but he does not develop the ...
Side 239
... reference to them and their works . The Eighteenth Century criticism is — until we come to the character - studies - detached ; it regards the plays as a series of unconnected scenes , and turns its attention to the " beauties " of ...
... reference to them and their works . The Eighteenth Century criticism is — until we come to the character - studies - detached ; it regards the plays as a series of unconnected scenes , and turns its attention to the " beauties " of ...
Side 269
... references to Shakespeare's fellow - actors . Answer of John Roberts ( 1729 ) . THEOBALD . References to Shakespeare in the Censor . Brief criticisms of Hamlet , Othello , and Julius Caesar . Thoroughly conven- tional . Inadequate ...
... references to Shakespeare's fellow - actors . Answer of John Roberts ( 1729 ) . THEOBALD . References to Shakespeare in the Censor . Brief criticisms of Hamlet , Othello , and Julius Caesar . Thoroughly conven- tional . Inadequate ...
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John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
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English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
Vanlige uttrykk og setninger
ability accept action Addison admiration appears apply appreciation attempt attention beauties believe called characters classical clear comedy compared concerned considered Corneille criticism defects defence Dennis discussion dramatic dramatist edition Eighteenth Century elements English equal Essay example excellence explanation expression fact Falstaff faults feeling genius give Hamlet Henry historical human illustrate imagination importance indicates interest John Johnson judgment Kames King knowledge lack later Lear learning less lines Macbeth manner means merits method mind moral nature never objection observations original passage passion period person play plot poet poetry Pope practice praise Preface principle qualities question reason reference regarded remarks Richard Richardson romantic Rowe rules scene sentiments Shake Shakespeare Shakesperian shows soliloquy speare Spectator speech spirit stage statement suggest superior taste thought tion tragedy true Unities Warton writers Young