English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 sider |
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Side xii
... romantic criticism of the Nineteenth Century , it resembles it in warm and enthusiastic admiration , even though that admiration be modified and tempered , as it constantly is , by regrets that Shakespeare had elected , either through ...
... romantic criticism of the Nineteenth Century , it resembles it in warm and enthusiastic admiration , even though that admiration be modified and tempered , as it constantly is , by regrets that Shakespeare had elected , either through ...
Side 34
... romantic rather than to classical criticism . His papers on the place of imagin- ation in writing certainly do not belong to a school which exalts reason at the expense of emotion . On the basis of the views expressed in all these ...
... romantic rather than to classical criticism . His papers on the place of imagin- ation in writing certainly do not belong to a school which exalts reason at the expense of emotion . On the basis of the views expressed in all these ...
Side 238
... Romantic School , -this rank he enjoyed throughout the Eighteenth Century . However , in spite of the fact that justice makes it necessary to insist that the Eighteenth Century was not lacking in enthusiasm for Shakespeare's genius , it ...
... Romantic School , -this rank he enjoyed throughout the Eighteenth Century . However , in spite of the fact that justice makes it necessary to insist that the Eighteenth Century was not lacking in enthusiasm for Shakespeare's genius , it ...
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John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
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English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
Vanlige uttrykk og setninger
ability accept action Addison admiration appears apply appreciation attempt attention beauties believe called characters classical clear comedy compared concerned considered Corneille criticism defects defence Dennis discussion dramatic dramatist edition Eighteenth Century elements English equal Essay example excellence explanation expression fact Falstaff faults feeling genius give Hamlet Henry historical human illustrate imagination importance indicates interest John Johnson judgment Kames King knowledge lack later Lear learning less lines Macbeth manner means merits method mind moral nature never objection observations original passage passion period person play plot poet poetry Pope practice praise Preface principle qualities question reason reference regarded remarks Richard Richardson romantic Rowe rules scene sentiments Shake Shakespeare Shakesperian shows soliloquy speare Spectator speech spirit stage statement suggest superior taste thought tion tragedy true Unities Warton writers Young