English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 sider |
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Side 119
... rules he violates belong to the second division of the mechanical group . In his discussion of the essential rules , Beattie does not mention Shakespeare , which would seen to imply that he always followed them . In this case , may we ...
... rules he violates belong to the second division of the mechanical group . In his discussion of the essential rules , Beattie does not mention Shakespeare , which would seen to imply that he always followed them . In this case , may we ...
Side 239
... rules , but the Nineteenth Century , rejecting the " acci- dental " theory , hailed Shakespeare as a profound artist ... rules ) failed to see as the Nineteenth Century did not fail - that Shake- speare had attained to the higher unity ...
... rules , but the Nineteenth Century , rejecting the " acci- dental " theory , hailed Shakespeare as a profound artist ... rules ) failed to see as the Nineteenth Century did not fail - that Shake- speare had attained to the higher unity ...
Side 279
... rules : essential and ornamental . Departure from rules may be evidence of good taste and of genius . French critics censured for failure to make this distinction . This failure the cause of their inability to appreciate Shakespeare ...
... rules : essential and ornamental . Departure from rules may be evidence of good taste and of genius . French critics censured for failure to make this distinction . This failure the cause of their inability to appreciate Shakespeare ...
Innhold
John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
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English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
Vanlige uttrykk og setninger
ability accept action Addison admiration appears apply appreciation attempt attention beauties believe called characters classical clear comedy compared concerned considered Corneille criticism defects defence Dennis discussion dramatic dramatist edition Eighteenth Century elements English equal Essay example excellence explanation expression fact Falstaff faults feeling genius give Hamlet Henry historical human illustrate imagination importance indicates interest John Johnson judgment Kames King knowledge lack later Lear learning less lines Macbeth manner means merits method mind moral nature never objection observations original passage passion period person play plot poet poetry Pope practice praise Preface principle qualities question reason reference regarded remarks Richard Richardson romantic Rowe rules scene sentiments Shake Shakespeare Shakesperian shows soliloquy speare Spectator speech spirit stage statement suggest superior taste thought tion tragedy true Unities Warton writers Young